November 1 - 30, 2025: Issue 648

Our Youth page is for young people aged 13+ - if you are younger than this we have news for you in the Children's pageNews items and articles run at the top of this page. Information, local resources, events and local organisations, sports groups etc. are at the base of this page. All Previous pages for you are listed in Past Features

Street League Skateboarding Announces Return to Sydney To Kick Off 2026 World Championship Tour

On the back of two sold-out events in Sydney in 2023 and 2024, Street League Skateboarding (SLS) has now announced it’s return to the Australian market, with Ken Rosewall Arena playing host to the season opening event of the SLS World Championship Tour for a special two-day event to be held on Saturday, 14 February to Sunday, 15 February 2026. 

Tickets for SLS Sydney 2026 are available for purchase at streetleague.com starting at $29.00.

This marks the first time in SLS’ history that Australia will host the opening event of the sport’s flagship series. Sydney fans will now be able to watch firsthand as the top male and female skaters in the world – including Tokyo and Paris Olympians - compete in premier SLS competition. 

In addition to the Championship Tour stop, Street League Skateboarding will be taking over the city of Sydney, with a host of activations, headlined by the In Your City event, which allows local skateboarders to ride alongside their heroes in the days leading up to the competition. Look for more details on this special event to be announced soon. 

For a preview of the next level action that Sydney fans can look forward to, go here

Headlining the event will be Australian star Chloe Covell (Tweed Heads, NSW), who has dominated the Women’s category at the past two editions of the Sydney event, claiming the title in both appearances. Covell has been in fine form during the 2025 season taking two contest wins in Santa Monica, USA and Cleveland, USA. The young Australian currently leads the women’s standings and is a favorite for the Super Crown World Champion title in Brazil this December.

Covell said, “SLS is the best of the best when it comes to skateboarding. I’ve loved getting to perform and win in front of my hometown crowd and I can’t wait to do it again in February.”   

Chloé Covell, SLS Paris 2025. Photo: Pierre-Antoine Lalaude 

Veteran Australian SLS Pro, Shane O’Neill (Melbourne, VIC), a former Super Crown World Champion (2016) and a national Skateboarder of the Year, also anticipates Street League’s Sydney return.

O’Neill said, “Australia’s skate scene has always been amazing, and it’s home to so many great skaters. So, it only feels right that Street League’s coming back to Sydney. I already know the crowd’s gonna be louder than ever.” 

Street League Skateboarding in Sydney is proudly supported by the NSW Government through its tourism and major events agency Destination NSW.

NSW Minister for Jobs and Tourism and Minister for Sport, Steve Kamper, said: “Hosting the Street League Skateboarding Championship Tour puts our city back in the spotlight, as the world’s best skaters bring their talent and energy to one of Sydney’s premier sporting precincts.

“It’s another major win for Sydney, attracting visitors from across the globe and showcasing our city’s unmatched energy and lifestyle. We can’t wait to welcome competitors and fans next year to our Harbour City for an unforgettable celebration of sport, skill and vibrant culture.”

Established in 2010, SLS is the street skateboarding’s first professional organization and is recognized as the sport’s preeminent global competition. Its events take place on custom-built, one-of-a-kind, SLS-certified plazas with the best in the sport competing for the highest stakes. 

The 2026 edition of the SLS Championship Tour will dial up the fan experience with an exciting, reimagined competition format featuring the very best of the best in street skateboarding, as well as a host of activations across the city and on-site at Ken Rosewall Arena in Homebush. 

The sport’s elite athletes are set to appear in Sydney, with the likes of Rayssa Leal (Imperatriz, Brazil) - the fourth most-followed female athlete on the planet and three-time SLS Super Crown Champion, Nyjah Huston (Laguna Beach, USA) – the seven-time and defending Men’s SLS Super Crown World Champion, and two-time Olympic Gold Medallist, Yuto Horigome (Tokyo, Japan) who is looking to bring is unique and graceful style to Sydney in February. Other competitors will include Tokyo 2020 Gold Medallist, Momiji Nishiya (Osaka, Japan), 2024 Paris Gold Medallist, Coco Yoshizawa (Kanagawa, Japan), and current standings front runners, Cordano Russell (London, Canada) and Chris Joslin (Hawaiian Gardens, USA). 

For more Street League Skateboarding news, including the Championship Tour updates, broadcast information, and more, go to www.streetleague.com.
Nyjah Huston. Photo:Matt Rodriguez

‘Ninety-five Not Out’ – Inspiring NSW seniors share their stories

November 10,2025
Tales spanning technological change, women’s empowerment and New South Wales’s natural beauty are among 100 literary masterpieces featured in Volume 11 of Seniors’ Stories launched today at Parliament House.

Seniors’ Stories elevates the voices of seniors and provides a platform for older authors to reflect on the theme of ‘Then and Now’.

Readers are offered insights into authors’ youthful memories, changing times and life-shaping moments.

Cranebrook author Marie Nevin, who turned 96 in September, is the oldest contributor for this year’s edition. Marie’s story ‘Ninety-Five Not Out’ vividly portrays her transition from childhood to embracing modern technology later in life.

“I was born in 1929 in Marrickville . . . I remember while driving there, the ‘Bottle‑O’ would come down the street in a horse and cart calling ‘Bottle‑o, Bottle‑o’,” she writes.

“I am now ninety‑five years old. I like to go out and have coffee and cake … I have thirty‑four grandchildren, forty great‑grandchildren … I am thankful for having a mobile phone as it keeps me in touch with them all … I have an iPad which I use every day, playing word games to keep my mind active.”

For Marie, writing is a family affair. Her son-in-law Paul Ryan, from Emu Plains, also contributed a short story titled ‘The Wharf’. 

Seniors’ Stories Volume 11 features nine stories translated to an author’s chosen language alongside English versions to reflect the cultural diversity of communities across the state.

Translated languages include Bengali, Cantonese, Dutch, French, German, Hindi, Italian, Malayalam and Sinhalese.

More than 1,100 personal stories of older people across NSW have been published in Seniors’ Stories since the NSW Government launched the initiative in 2013.

The program is open to all Seniors Card and Senior Savers Card holders. Authors from all backgrounds and languages are encouraged to submit their work.

The Fellowship of Australian Writers NSW has led writing workshops to provide guidance and support for seniors seeking to share their stories.

More information on Seniors’ Stories is available at NSW Seniors Card.

Minister for Seniors Jodie Harrison said:

“Seniors’ Stories is a special publication which offers a glimpse into how the lives of older people in New South Wales have evolved over the years.

“It’s a celebration of the diversity and resilience of older people in New South Wales, and I’m delighted to see seniors from all walks of life have shared their stories.

“These books are a beautiful reminder that we all have a story worth sharing.”

Congratulations to residents whose stories are featured in this year's volume:
  • AI Friend 10760: Max by Elizabeth Guthrie MONA VALE
  • Testimony of Time - in French too: Le témoignage du temps by Sylvana Augustyniak DEE WHY
  • Treehouse Time by Frank Astill MANLY
  • Harbord by Kenneth Waldron MANLY


Funding certainty for TAFE NSW

The NSW Government  stated on Friday November 14 it is delivering on its commitment to rebuild and restore stability to TAFE NSW with a major reform that will save more than $80 million over four years and ensure teachers, not external consultants are at the centre of course material development.

For the past 10 years, TAFE NSW has had to compete with private training providers for annual government funding which involves unnecessary bureaucracy and instability across the public training provider.

From next year that will change. TAFE NSW will no longer compete with private providers for annual funding and will instead receive a predictable, long-term budget, allowing it to focus on delivering high-quality education and training to students across the state.

The change will cut administrative red tape for teachers and allow them to dedicate more time to course development and supporting students.

The decision reflects the critical role TAFE NSW plays as the public provider delivering quality vocational education and training to students and communities across NSW. Independent, industry and community training providers will continue to play a vital role to meet the skills NSW needs.

It also delivers on the NSW VET Review recommendation and supports the Minns Labor Government’s commitment to build a strong and stable TAFE NSW which includes a record $3.4 billion investment in Skills and TAFE in the 2025/26 Budget.

Minister for Skills, TAFE and Tertiary Education Steve Whan said:

“TAFE NSW teachers are the best at what they do – they have the skills, professional industry experience, and knowledge to create effective learning environments that engage and support students to develop the skills needed to succeed in the workplace.

“It makes absolute sense that TAFE NSW draws on its incredible internal knowledge base for course development, along with the expertise of other TAFEs and industry partners, rather than rely on external companies.

“We made a commitment to remove TAFE NSW from competitive funding, and this is us delivering on that commitment. Not only will it provide a more reliable budget to support longer-term planning for educational delivery, but it will free up teachers from extra administrative tasks to focus more on what they do best.”  

NSW Teachers Federation Acting President, Amber Flohm said:

“The Federation welcomes the removal of TAFE NSW from contestable funding, receiving direct funding from government just as schools do. 

“Freeing up our TAFE NSW teachers to do more of the job they love, teaching their students and preparing curriculum for them, rather than hours of administration which has no effect on their student's skill development and education, is to be applauded. 

“Returning TAFE NSW to its rightful place as the public education institution which we can all be proud of, a government asset for the public good, serving our students, communities and addressing the skills shortages, is welcomed by the Federation after twelve long years of neglect.”

MCA Australia announces artist line-up for its major summer exhibition Data Dreams: Art and AI


Museum of Contemporary Art Australia
Tallawoladah, Gadigal Country
140 George Street, The Rocks, Sydney 

The Museum of Contemporary Art Australia (MCA Australia) will premiere a landmark assembly of global art innovators for its major summer exhibition for the 2025–26 Sydney International Art Series, Data Dreams: Art and AI. 

Opening on 21 November 2025, this ground-breaking exhibition is the first of its kind to be staged by an Australian institution, bringing together ten visionary artists from around the world to explore the profound impact of artificial intelligence on contemporary life and creative practice.

Through immersive installations, AI-generated films, hallucinatory images and mind-expanding sculptures, Data Dreams invites audiences to experience the possible futures in art and reflect on the evolving relationship between human and machine intelligence.

Artworks in the exhibition highlight AI's role as an artistic collaborator, its impact on reality and perception, its role in shaping human relationships, and its potential to redefine our understanding of intelligence and perhaps even life itself.

Data Dreams presents projects by contemporary artists working at the forefront of art and AI including:
  • Angie Abdilla (palawa, lutruwita/Tasmania, Australia): Indigenous knowledge systems are brought into dialogue with Western astrophysics in Abdilla’s Meditation on Country (2024), combining scientific and cultural datasets.
  • Fabien Giraud (France): MCA Australia presents the world premiere of The Feral – Epoch 1 (2025), a thousand-year-long film fully shot and edited by an artificial intelligence, involving 32 generations of humans in a dramatic landscape in central France.
  • Kate Crawford & Vladan Joler (Australia/Serbia): Anatomy of an AI System (2018) is a visual investigation into the real-world infrastructure and raw materials required to fabricate, power and dispose of ‘smart’ AI devices, mapping the profound implications of these new technologies for humanity and the planet.
  • Lynn Hershman Leeson (USA): Logic Paralyzes the Heart (2021) and Cyborgian Rhapsody: Immortality (2023) from Leeson’s acclaimed Cyborg film series (1994–2023) trace the radical ways that AI and other technologies are reshaping our lives, societies and the environment. As a foundational innovator in the field, Leeson has been exploring the relationship between technology and humanity since the 1960s.
  • Agnieszka Kurant (Poland): In Kurant’s sculptural work Chemical Garden (2021/2025), plant-like crystals grow in an aquarium from the same metal salts found in computers and deep-sea vents. In Conversions (2019 –ongoing) a liquid crystal painting morphs in response to emotional data collected from millions of social media accounts using a custom AI system.
  • Trevor Paglen (USA): In Paglen’s photographic series Adversarially Evolved Hallucinations (2017– ongoing), uncanny AI-powered images invite us to look inside the strange world of datasets and neural networks, probing the limits of machine perception.
  • Christopher Kulendran Thomas (UK): The Finesse (2022) is a monumental video installation which transports audiences into a simulated forest melding pop culture and political science. Combining archival footage with AI-generated avatars – it questions the role AI technologies play in a world where real and fake messages are indistinguishable. Kulendran Thomas invites us to discern the truth for ourselves.
  • Hito Steyerl (Germany): An expansive new installation blending documentary footage, AI-generated imagery, and sculptures of digital forms by acclaimed artist Hito Steyerl, Mechanical Kurds (2025) examines the sinister worlds of AI-led warfare and surveillance, and the hidden human labour behind these powerful systems.
  • Anicka Yi (South Korea): Anicka Yi looks to possibilities for intelligence and collaboration beyond human and organic life in Radiolaria (2023–25), a series of luminous suspended sculptures that undulate like deep-sea creatures. Each Branch Of Coral Holds Up The Light of The Moon (2024) is a 3D animation generated using custom AI software designed to carry on her art practice after her death.
Curated by MCA Australia's Jane Devery (Senior Curator, Exhibitions), Anna Davis (Curator), and Tim Riley Walsh (Assistant Curator), Data Dreams transforms the MCA’s galleries into a series of experiential spaces that invite visitors to engage with the possibilities and provocations at the intersection of art and AI.

Suzanne Cotter, Director of the Museum of Contemporary Art Australia said: "Data Dreams: Art and AI is a landmark exhibition that reflects the Museum’s commitment to presenting bold, forward-thinking contemporary art. It offers everyone who visits the exhibition a unique opportunity to consider how artists are responding to one of the most transformative technologies of our time."

The exhibition will be accompanied by a dynamic public program including talks, workshops, and performances, to be announced closer to the opening.

MCA Australia thanks Strategic Sponsor Destination NSW for its support. The Sydney International Art Series, established in 2010, brings the world’s most outstanding exhibitions exclusively to Sydney through a partnership between Destination NSW, MCA Australia, and the Art Gallery of New South Wales.

Tickets to the exhibition are available to purchase from mca.com.au. The exhibition is free for MCA members and people aged 18 and under.

Data Dreams: Art and AI opens at the Museum of Contemporary Art Australia on 21 November 2025 and is on until 26 April 2026.

Ancient Feelings - until April 2026

While you're at the MCA you will see Ancient Feelings, 2025, a major new public artwork by acclaimed British artist Thomas J Price.

This striking large-scale sculpture marks the launch of the inaugural Neil Balnaves Tallawoladah Lawn Commission, the first in a three-year series of public works to be featured in front of MCA Australia on the Tallawoladah Lawn, overlooking Warrane/Sydney Harbour. It is a spectacular addition to the cultural landscape of Circular Quay and The Rocks precinct for locals and visitors alike. 

This independently funded sculpture is the result of a visionary gift from The Balnaves Foundation on behalf of the family in honour of founder, husband and father, Neil Balnaves AO.

2025 marks a landmark year for Price as a contemporary living artist, with his work unveiled in some of the world’s most iconic public spaces – including Grounded in the Stars in New York’s Times Square and Time Unfolding in Florence’s historic Piazza della Signoria. Ancient Feelings marks the artist’s first public artwork in Australia, bringing Price’s distinctive approach to Sydney, by the world’s most recognisable harbour.

Measuring over three metres tall and cast in a golden bronze, Ancient Feelings is a commanding presence. Price’s work invites reflection on identity, visibility and shared humanity. It challenges the history of public monuments and encourages people to reflect on our own ideas of beauty and commemoration.

Mr. Price uses the traditional material of bronze in his sculptures to challenge the structures of power and representation embedded in classical sculpture. His work deliberately engages with the symbolic weight of bronze, a material historically associated with permanence, authority and commemoration.

'Ancient Feelings raises questions about who gets to be seen and who gets to be valued,' said Thomas J Price

'This glowing bronze sculpture can help illuminate the real issues that still exist around a lack of willingness to acknowledge history, a resistance to accepting people’s accounts of themselves and their lives, and the realness of our shared humanity.

To have a fictional representation of a black woman, beaming in this golden bronze at a scale that is only associated with power, praise and high standing, I think it will be an absolute joy for many people. For others it may provoke discomfort, and that tension is precisely where the work finds its strength.' he said

Thomas J Price with his work, Ancient Feelings, 2025, installation view, MCA Australia, bronze, commissioned by the Museum of Contemporary Art Australia for the Neil Balnaves Tallawoladah Lawn Commission, 2025, courtesy the artist and MCA Australia © the artist, photograph: Anna Kucera and MCA

For MCA Australia, the commission extends contemporary art and ideas into the public realm and provides an exciting opportunity to renew interest in and spark conversation about the role of public monuments.

'Public art is unique in its ability to create dialogue,' said MCA Australia Director, Suzanne Cotter. ‘Everyone has an opinion about the art they might experience in public spaces. And in an era where the role of the monument has never been more hotly debated, The Neil Balnaves Commission offers propositions and time for reflection from living artists who are engaged with our contemporary world.'

Thomas J Price, Ancient Feelings, 2025, installation view, MCA Australia, bronze, commissioned by the Museum of Contemporary Art Australia for the Neil Balnaves Tallawoladah Lawn Commission, 2025, courtesy the artist and MCA Australia © the artist, photograph: Anna Kucera

The Neil Balnaves Tallawoladah Lawn Commission
The Neil Balnaves Tallawoladah Lawn Commission is a new annual initiative made possible by The Balnaves Foundation, honouring the legacy of philanthropist Neil Balnaves AO (1944–2022). This three-year series aims to bring world-class contemporary sculpture to the public – free and accessible to all – in a place of deep cultural and historical significance.

'This commission is a bold and generous addition to the MCA program thanks to The Balnaves Foundation that honours the legacy of Neil Balnaves AO,' said Suzanne Cotter, Director of MCA Australia. 'It demonstrates the transformative power of philanthropy in enabling us to experience ambitious art in our daily lives.'

'My father strongly believed in the power of art to enrich lives,' said Hamish Balnaves, CEO of The Balnaves Foundation. 'He was particularly passionate about bold public sculpture and its ability to challenge perspectives and ignite conversation.'

The power of philanthropy
The Balnaves Foundation’s generous donation demonstrates the transformative power of philanthropy, making art accessible to people as part of their daily lives, further encouraging governments to put forward additional support.

'Neil advocated for both the philanthropic community and the government to fund the arts and cultural sector in Australia. The Foundation is continuing his legacy by supporting the arts and ensuring access to art for all, with the hope that others may be inspired to give,” Hamish Balnaves added.

'We are deeply indebted to the Balnaves family and The Balnaves Foundation for their support and for choosing this Commission Series to honour Neil Balnaves – one of Australia’s most respected arts philanthropists,' said Suzanne Cotter. 'Together the MCA Australia and The Balnaves Foundation are expanding access to the best international contemporary art for millions of people. This Commission is a fitting tribute to Neil’s vision and passion for bold, thought-provoking art that is accessible to everyone.'

Public program
Accompanying the inaugural Lawn Commission, MCA Australia will present an engaging public program of talks, workshops and walking tours which connects people of all ages and backgrounds with themes and ideas inspired by the work Ancient Feelings and the Commission Series. This includes:
  • A series of talks highlighting the importance of public art and redefining of monuments over the last decades
  • Public art walking tours in neighbouring streets and spaces
  • Kids and Families programs on Tallawoladah Lawn and within the Museum
Thomas J Price’s Ancient Feelings will remain on display through to April 2026, offering millions of visitors the opportunity to engage with contemporary art in a dynamic and meaningful way outside of the Museum. 

About the artist – Thomas J Price
Thomas J Price has become renowned for his powerful and poetic artworks that confront deeply entrenched notions of race and power. Price's large-scale sculptures of everyday, imagined people invite us to consider who is typically remembered and represented in public space.

Born in 1981, Price lives and works in London. He studied at Chelsea College of Art and the Royal College of Art, London and has held solo exhibitions at institutions including The Power Plant, Toronto, Canada; The National Portrait Gallery, London; the Yorkshire Sculpture Park, West Bretton, UK; the Victoria and Albert Museum, London; Kunsthalle Krems, Austria; and Kunsthal Rotterdam. Price’s work is held in collections such as the Art Gallery of Ontario, Canada; Brooklyn Museum, New York; National Gallery of Victoria; Studio Museum in Harlem, New York; and The Legacy Museum, Montgomery, AL.

Price was commissioned by Hackney Council to create the first permanent public sculptures to celebrate the contribution of the Windrush generation and their descendants in the UK, unveiled in June 2022. His solo presentation in collaboration with The Studio Museum in Harlem was on view in Marcus Garvey Park from 2021 to 2022.

In 2025 Price opened a multi-venue exhibition in Florence across Piazza della Signoria, Palazzo Vecchio and Museo Novecento, and unveiled the monumental work Grounded in the Stars in New York’s Times Square. In 2026 the artist will present a new public commission for the V&A East Museum as part of the newly established East Bank campus at Olympic Park, London.

About Neil Balnaves AO 1944 – 2022
In 2006 Neil Balnaves AO founded The Balnaves Foundation. Already an established philanthropist, Neil wanted to create a pathway for intergenerational giving, bringing his family together to help create a better Australia through the arts, education and medicine.

Prior to establishing the Foundation, Neil had a long and successful career in the media industry, including founding the Southern Star Group in 1988. As a film and TV executive, Neil was proud to have been involved in bringing many popular shows to Australian screens, including Water Rats, Blue Heelers, Big Brother, The Secret Life of Us, McLeod’s Daughters and Bananas in Pyjamas.

Neil was the Chairman of Ardent Leisure Group, one of Australia’s most successful owners and operators of premium leisure assets, from 2003 until 2016. Other former directorships include Hanna-Barbera Australia, Reed Consolidated Industries, Hamlyn Group, Taft Hardie, Southern Star Group and Southern Cross Broadcasting.

He was the Chancellor of Charles Darwin University, and a former Director and Trustee Member of Bond University, receiving an Honorary Doctorate of the Bond University in 2009. In addition, Neil was a Board Member of the Art Gallery of South Australia from 2013 to 2019, was a former member of the Advisory Council and Dean’s Circle at the University of New South Wales Faculty of Medicine, and in 2010 received an Honorary Doctorate of the University of New South Wales.

Neil was immensely proud to be appointed an Officer of the Order of Australia in 2010, for his services to the community through philanthropic support for the arts, education, medical research and Indigenous programs, and to business. Neil sadly passed away in February 2022 and is greatly missed by his family who honour his legacy, ensuring Neil’s vision for the Foundation, to create a better Australia, will continue.

About The Balnaves Foundation
The Balnaves Foundation is a private philanthropic organisation established in 2006 by Neil Balnaves AO. The Foundation disperses $5 million annually to eligible organisations that aim to create a better Australia through education, medicine and the arts with a focus on young people, the disadvantaged and Indigenous Australia.

Find out more about The Balnaves Foundation.

Thomas J Price, Ancient Feelings, 2025, installation view, MCA Australia, bronze, commissioned by the Museum of Contemporary Art Australia for the Neil Balnaves Tallawoladah Lawn Commission, 2025, courtesy the artist and MCA Australia © the artist, photograph: Anna Kucera

Surfing Is Sydney's Favourite Summer Pastime. Australian Diary 55.

By NFSA
From the Film Australia Collection of the National Film and Sound Archive. Made by the National Film Board 1959. Directed by Jack S Allan. A typical 1950s weekend at Manly Beach, swimming, surfing, sun baking and life savers.

Opportunities:

Applications Now Open for 2026 NSW Youth Parliament

Member for Manly, James Griffin MP is calling on local students in years 10 to 12 to apply for the 2026 NSW Youth Parliament, with applications now open through the Y NSW. 

Now in its 25th year, Youth Parliament is a hands-on leadership and education initiative that empowers young people from across New South Wales to learn about the parliamentary process, develop policy ideas, and debate real legislation in the NSW Parliament House.

Mr Griffin said the program provides an invaluable opportunity for young people to grow as leaders and community advocates.

“Youth Parliament is an outstanding program that gives young people the chance to develop skills in leadership, communication and public policy, while experiencing first-hand how democracy works,” Mr Griffin said.

“It’s inclusive, inspiring and designed to give every participant the confidence to have their voice heard on issues that matter to them and their community.”

Participants take part in training camps, workshops and mentoring sessions that build leadership, confidence and civic engagement. The Y NSW is seeking Youth Parliamentarians from each of the 93 NSW electorates, with the 2026 program culminating in a Sitting Week from July 13–17 at NSW Parliament House

Mr Griffin said he looks forward to seeing young people from the Manly Electorate representing their community in next year’s program.

“I encourage all interested local students to apply, especially those who are passionate about creating positive change in their community,” Mr Griffin said.

Applications close Sunday 4 January, 2026

Students can apply and find more information at: www.ymcansw.org.au/community-services/youth/youth-parliament

Lion Island Yacht Race 2025

BYRA have changed the date for the annual Lion Island Yacht Race to Sunday 7th December.
All members are welcome to bring their yachts and compete. The Race is also open to yachts from other clubs.
This is a fundraising celebration of the foundation of the club. Prizegiving after the race in the clubhouse from 5pm
The start is at 12.00pm from a line set outside the moorings just off the club, around Lion Island to port and return.
You can enter now at www.byra.com.au/events/322203

AusMusic T-Shirt Day: November 27

AusMusic T-Shirt Day is a national day of celebration, joy and recognition — a chance to show up for the people who make the music happen. From artists and bandmates to crew, techs, managers and beyond, it takes a whole community to bring Australian music to life.

Wearing a tee, raising funds or making a donation is how we celebrate that community — and how we help Support Act continue delivering vital mental health support, crisis relief and dedicated services for those who keep the industry going.

It’s more than a t-shirt. It’s a show of solidarity for the heartbeat of Australian music.

Where do the funds go?
Every dollar raised goes directly to Support Act, helping deliver crisis relief, mental health support, and dedicated First Nations services to artists, crew and music workers in need. Your support helps keep vital programs running — from the 24/7 Wellbeing Helpline to financial grants, mental health education and more.
It’s real help for the people who make the music happen.

Who is Support Act?
Support Act is the music industry’s charity — providing crisis relief, mental health support and wellbeing services to artists, crew and music workers doing it tough. From financial grants to a 24/7 helpline and dedicated First Nations support, we’re here to help the people who make the music happen.

Our services are delivered by a team of qualified social workers and clinical psychologists, with culturally aware support for First Nations music workers provided by First Nations practitioners, or those with strong, cross-cultural training.

How did AMTD come about?
AusMusic T-Shirt Day started as a simple idea — a way to celebrate Australian music and show solidarity with the artists, crew and workers who bring it to life.

What began as a grassroots initiative has grown into a national movement — fuelled by the deep love Australians have for music, and the people who create it.

Today, it’s a joyful, unifying moment to wear your support, raise funds, and help ensure the health and future of our music industry.

Find out more and get involved at: ausmusictshirtday.org.au

Busk at The North Narrabeen NSHS P&C Boot Sale

Are you a budding musician? The NSHS P&C is turning up the volume at our November 30 Car Boot Sale with a brand-new initiative — Busk @ the Boot! 

Whether you’re an up-and-coming performer, a seasoned street musician, or just love to share your sound, we want YOU to help bring the vibe!

Here’s the deal:
  • Open to NSHS students and local community artists
  • Buskers keep 100% of the money collected during their set
Questions? Contact our CAPA Coordinator Katherine Moore at moore.moorefitness@gmail.com


The P&C Executive is committed to making every event more vibrant, inclusive, and fun — and we believe live music is the key to that energy! So, whether you’re acoustic, electric, solo, or in a group, come and help us make this Boot Sale sing!

Newport Pool to Peak Kicks Off Pittwater Ocean Swim Series 2026

The annual Pittwater Ocean Swim Series will kick off with the Newport Pool to Peak, ocean swims on Sunday 4 January 2026. The series provides ocean swimmers around the world the opportunity to experience the beautiful scenery and pristine environment of Pittwater.

The Newport Pool to Peak has become one of the biggest ocean swimming events on the annual calendar and has grown from the traditional 2Kms to offer 400m and 800m courses as well. This has enabled swimmers to test their swim skills and gain experience in ocean swimming which is very different to pool swimming, as ocean swimmers will attest.

John Guthrie, chairman of the Pool to Peak, ocean swim organising committee, says the club’s swims feature a strong safety culture with many safety craft in the water and drone surveillance.

“This means swimmers are being observed at all times which helps to build confidence in tackling the surf and currents. Of course, we encourage swimmers to train for their event with a combination of attaining surf skills, lap swimming in addition to general physical training such as weights.

“Ocean swimming can be arduous so swimmers are responsible for their individual fitness. We will have lifesavers in the break to assist any swimmers who are finding it too difficult. Again, entrants are encouraged to put their hand up if they find themselves unable to complete the course,” said John.

The Pool to Peak is known as the friendly affordable swim event and swimmers all go in the draw for a great range of prizes. Medals are also presented to category winners, one of the few ocean swim events to continue the tradition.

“We are proud of the fun atmosphere generated on the day. Swimmers are welcomed back on shore with succulent, fresh fruit, from Harris Farm Markets, our long-term major sponsors, to take away the salty taste in your mouth. Then there is the barbecue, featuring ingredients from Harris Farm Markets, a popular feature with hungry swimmers,” John continued.

Following the prize and medal presentations, swimmers and their families can enjoy a drink at the club’s bar or take advantage of one of the many coffee shops in the Newport shopping centre including The Peak Café a sponsor of the Pool to Peak, Newport has clubs such as the Royal Motor Yacht Club who would like to enjoy lunch with a view of Pittwater.

There is an added incentive for swimmers to enter the Pittwater Ocean Swim Series in 2026. For swimmers who swim at least three of the swims in the series, they will go in the draw for a $250 voucher a male & female swimmer for a fine dining experience at the Basin Restaurant.

The Pittwater swims start at Newport 4 January, then Bilgola on 11 January, Mona Vale  on18 January and the Big Swim on 25 January. This will be the 52nd Big Swim event. 

To complete the Pittwater Ocean Swim Series the Avalon swims will be on Sunday 15 March. That includes their iconic Around the Bends swim from Newport to Avalon.

Pool to Peak swimmers in 2025. Photo: AJG/PON

Financial help for young people

Concessions and financial support for young people.

Includes:

  • You could receive payments and services from Centrelink: Use the payment and services finder to check what support you could receive.
  • Apply for a concession Opal card for students: Receive a reduced fare when travelling on public transport.
  • Financial support for students: Get financial help whilst studying or training.
  • Youth Development Scholarships: Successful applicants will receive $1000 to help with school expenses and support services.
  • Tertiary Access Payment for students: The Tertiary Access Payment can help you with the costs of moving to undertake tertiary study.
  • Relocation scholarship: A once a year payment if you get ABSTUDY or Youth Allowance if you move to or from a regional or remote area for higher education study.
  • Get help finding a place to live and paying your rent: Rent Choice Youth helps young people aged 16 to 24 years to rent a home.

Visit: https://www.nsw.gov.au/living-nsw/young-people/young-people-financial-help

School Leavers Support

Explore the School Leavers Information Kit (SLIK) as your guide to education, training and work options in 2022;
As you prepare to finish your final year of school, the next phase of your journey will be full of interesting and exciting opportunities. You will discover new passions and develop new skills and knowledge.

We know that this transition can sometimes be challenging. With changes to the education and workforce landscape, you might be wondering if your planned decisions are still a good option or what new alternatives are available and how to pursue them.

There are lots of options for education, training and work in 2022 to help you further your career. This information kit has been designed to help you understand what those options might be and assist you to choose the right one for you. Including:
  • Download or explore the SLIK here to help guide Your Career.
  • School Leavers Information Kit (PDF 5.2MB).
  • School Leavers Information Kit (DOCX 0.9MB).
  • The SLIK has also been translated into additional languages.
  • Download our information booklets if you are rural, regional and remote, Aboriginal or Torres Strait Islander, or living with disability.
  • Support for Regional, Rural and Remote School Leavers (PDF 2MB).
  • Support for Regional, Rural and Remote School Leavers (DOCX 0.9MB).
  • Support for Aboriginal and/or Torres Strait Islander School Leavers (PDF 2MB).
  • Support for Aboriginal and/or Torres Strait Islander School Leavers (DOCX 1.1MB).
  • Support for School Leavers with Disability (PDF 2MB).
  • Support for School Leavers with Disability (DOCX 0.9MB).
  • Download the Parents and Guardian’s Guide for School Leavers, which summarises the resources and information available to help you explore all the education, training, and work options available to your young person.

School Leavers Information Service

Are you aged between 15 and 24 and looking for career guidance?

Call 1800 CAREER (1800 227 337).

SMS 'SLIS2022' to 0429 009 435.

Our information officers will help you:
  • navigate the School Leavers Information Kit (SLIK),
  • access and use the Your Career website and tools; and
  • find relevant support services if needed.
You may also be referred to a qualified career practitioner for a 45-minute personalised career guidance session. Our career practitioners will provide information, advice and assistance relating to a wide range of matters, such as career planning and management, training and studying, and looking for work.

You can call to book your session on 1800 CAREER (1800 227 337) Monday to Friday, from 9am to 7pm (AEST). Sessions with a career practitioner can be booked from Monday to Friday, 9am to 7pm.

This is a free service, however minimal call/text costs may apply.

Call 1800 CAREER (1800 227 337) or SMS SLIS2022 to 0429 009 435 to start a conversation about how the tools in Your Career can help you or to book a free session with a career practitioner.

All downloads and more available at: www.yourcareer.gov.au/school-leavers-support

Word Of The Week: Berserk

Word of the Week remains a keynote in 2025, simply to throw some disruption in amongst the 'yeah-nah' mix. 

Adjective

1. out of control with anger or excitement; wild or frenzied.

From: early 19th century (originally as a noun denoting an ancient Norse warrior who fought with wild or uncontrolled ferocity): from Old Norse berserkr (noun), probably from birn-, bjorn (bear) + serkr ‘coat’, but also possibly from berr ‘bare’ (i.e. without armour).

In the Old Norse written corpus, berserkers (Old Norse: berserkir) were Scandinavian warriors who were said to have fought in a trance-like fury, a characteristic which later gave rise to the modern English adjective berserk 'furiously violent or out of control'. Berserkers are attested to in numerous Old Norse sources.

The Old Norse form of the word was berserkr (plural berserkir), a compound word of ber and serkr. The second part, serkr, means 'shirt' (also found in Middle English serk). The first part, ber, on the other hand, can mean several things, but is assumed to have most likely meant 'bear', with the full word, berserkr, meaning just 'bear-shirt', as in 'someone who wears a coat made out of a bear's skin'.

Thirteenth-century historian Snorri Sturluson, an Icelander who lived around 200 years after berserkers were outlawed in Iceland (outlawed in 1015), on the other hand, interpreted the meaning as 'bare-shirt', that is to say that the warriors went into battle without armour, but that view has largely been abandoned, due to contradicting and lack of supporting evidence.

Berserkers appear prominently in a multitude of other sagas and poems. Many earlier sagas portrayed berserkers as bodyguards, elite soldiers, and champions of kings. This image would change as time passed and sagas would begin to describe berserkers as boasters rather than heroes, and as ravenous men who loot, plunder, and kill indiscriminately. 

Within the sagas, Berserkers can be narrowed down to four different types. The King's Berserkr, the Hall-Challenging Berserkr, the Hólmgangumaðr, and the Viking Berserkr. Later, by Christian interpreters, the berserker was viewed as a "heathen devil".

One theory of the berserkers suggests that the physical manifestations of the berserker alongside their rage was a form of self-induced hysteria. Initiated before battle through a ritualistic performance meant for effect, which included actions such as shield-biting and animalistic howling. It has been suggested that the berserkers' behavior inspired the legend of the werewolf.

They were greatly feared by all whom came across them - especially on their raids.

Compare Viking

Noun; any of the Scandinavian seafaring pirates and traders who raided and settled in many parts of north-western Europe in the 8th–11th centuries.

Some state this word is from Old Norse víkingr, from vík ‘creek’ or Old English wīc ‘camp, dwelling place’.

Víkingr and Víking

By Judith Jesch, Professor of Viking Studies, University of Nottingham, 2017 - The Conversation

The stereotypes about Vikings can partly be blamed on Hollywood, or the History Channel. But there is also a stereotype hidden in the word “Viking”. Respectable books and websites will confidently tell you that the Old Norse word “Viking” means “pirate” or “raider”, but is this the case? What does the word really mean, and how should we use it?

There are actually two, or even three, different words that such explanations could refer to. “Viking” in present-day English can be used as a noun (“a Viking”) or an adjective (“a Viking raid”). Ultimately, it derives from a word in Old Norse, but not directly. The English word “Viking” was revived in the 19th century (an early adopter was Sir Walter Scott) and borrowed from the Scandinavian languages of that time. In Old Norse, there are two words, both nouns: a víkingr is a person, while víking is an activity. Although the English word is ultimately linked to the Old Norse words, they should not be assumed to have the same meanings.

The etymology of víkingr and víking is hotly debated by scholars, but needn’t detain us because etymology only tells us what the word originally meant when coined, and not necessarily how it was used or what it means now. We don’t know what víkingr and víking meant before the Viking Age (roughly 750-1100AD), but in that period there is evidence of its use by Scandinavians speaking Old Norse.

The laconic but contemporary evidence of runic inscriptions and skaldic verse (Viking Age praise poetry) provides some clues. A víkingr was someone who went on expeditions, usually abroad, usually by sea, and usually in a group with other víkingar (the plural). Víkingr did not imply any particular ethnicity and it was a fairly neutral term, which could be used of one’s own group or another group. The activity of víking is not specified further, either. It could certainly include raiding, but was not restricted to that.

A pejorative meaning of the word began to develop in the Viking Age, but is clearest in the medieval Icelandic sagas, written two or three centuries later – in the 1300s and 1400s. In them, víkingar were generally ill-intentioned, piratical predators, in the waters around Scandinavia, the Baltic and the British Isles, who needed to be suppressed by Scandinavian kings and other saga heroes. The Icelandic sagas went on to have an enormous influence on our perceptions of what came to be called the Viking Age, and “Viking” in present-day English is influenced by this pejorative and restricted meaning.

How to use it

The debate between those who would see the Vikings primarily as predatory warriors and those who draw attention to their more constructive activities in exploration, trade and settlement, then, largely boils down to how we understand and use the word Viking. Restricting it to those who raided and pillaged outside Scandinavia merely perpetuates the pejorative meaning and marks out the Scandinavians as uniquely violent in what was in fact a universally violent world.

A more inclusive meaning acknowledges that raiding and pillaging were just one aspect of the Viking Age, with the mobile Vikings central to the expansive, complex and multicultural activities of the time.

In the academic world, “Viking” is used for people of Scandinavian origin or with Scandinavian connections who were active in trading and settlement as well as piracy and raiding, both within and outside Scandinavia in the period 750-1100. The Viking Age was a large and complex phenomenon which went far beyond the purely military, and also absorbed people who were not originally of Scandinavian ethnicity.

As a result, the English word has usefully expanded and developed to give a name to this phenomenon and its Age, and that is how we should use it, without regard either to its etymology, or to its narrower meanings in the distant past.

A fresco in the 11th c. Saint Sophia Cathedral, Kyiv that appears to depict a berserker ritual performed by Varangians (Scandinavians)

Berserk Warriors
Song by Mental As Anything, 1981

Lyrics
Bjorn is just a Viking
He is very a handy with a sword
He loves nothing better
Than to cut and slash right through a horde
Mutilation, jubilation
Friendly muscles, in a tussle

Anna's a girl Viking
She is very handy with a spear
She won't wear silk stockings
Armour-plated garments are her sphere
In the fjords, you can hear them
Eerie horns blow, Viking love show

Bjorn and Anna earn their leisure
They have each other for their pleasure

Bjorn is on his long ship
He and Anna fought it out today
He says it is their Waterloo
Vikings shouldn't mix their work and play

All that blonde hair for them to share
So much plunder, Cut asunder
Now when Bjorn and Anna see each other
It's on the battlefield, not as lovers

Those Vikings love to fight and play
Fighting berserk warriors hey hey!

As Black Friday sales kick off, these are the dodgy sales tactics to look out for

Jeannie Marie Paterson, The University of Melbourne

Once again, the annual shopping extravaganza known as “Black Friday” is nearly upon us, this year falling on November 28. But the sales are already well underway.

What started as a single-day discounted shopping event on the Friday after Thanksgiving in the United States has blown out to a weeks-long sales festival, in stores and online. And it has spread around much of the world – including to Australia.

It might feel like a great time to try to score a bargain. But this week, the Australian Competition and Consumer Commission (ACCC) put retailers on notice. The consumer watchdog announced it would be watching out for various kinds of misleading sales conduct that can be used to trick consumers.

If found to be engaging in misleading or deceptive sales conduct, retailers may face heavy financial penalties. But as a consumer, it also pays to understand how these dodgy tactics work, so you can’t be duped this sales season.

Dodgy sales tactics

The ACCC says it is on the lookout for a range of misleading or deceptive sales advertising tactics. Examples include:

  • advertising sales as “storewide” when only some items are discounted
  • countdown clocks or timers that show a shorter period than the actual sale (to create false urgency)
  • fine-print disclaimers that exclude some items from the sale
  • “up to X% off” discounts that only apply to a few items (or the “up to” text is not prominently displayed)
  • price comparisons of before and after sale discounts that are not accurate (including where the price has gone up in a short period before the discount was applied).

Sadly, there are many examples of allegedly misleading sales conduct occurring at peak shopping periods.

Following a similar sweep of last year’s Black Friday sales, the ACCC recently fined three retailers for allegedly misleading customers by advertising discounts as “storewide” when only some items were on sale.

In 2019, the online marketplace Kogan offered a “tax time” discount of 10% on products that had had their price increased immediately before the promotion (by at least 10% in most cases). It was subsequently fined A$350,000 for misleading conduct in breach of Australian Consumer Law.

Why is the ACCC so strict about this kind of conduct?

These examples of dodgy conduct might seem annoying. But they don’t seem earth-shatteringly bad – such as selling physically dangerous products.

Why is the ACCC so concerned about misleading conduct at Black Friday sale time, and indeed retail pricing more generally?

Shouldn’t consumers just be more careful? The answer lies in the cumulative harms of misleading pricing conduct.

composite image showing various online advertisements
Examples of advertising tactics the ACCC is investigating, including potentially misleading countdown clocks, sitewide sales with exclusions and hard-to-spot text. Supplied, ACCC

Manipulating consumers through marketing

Sales rely on consumers thinking they are getting a good deal on products they want. And sometimes sales marketing seeks to persuade consumers the deal is better than it really is.

Marketing strategies such as countdown timers, strike-through prices or promoted large percentage discounts are designed to appeal to consumers’ emotions and to rush them into closing off a purchase.

Consumers with heightened emotions or feeling pressure to grab a deal are less likely to make a rational assessment of the real value of the discount being offered to them. This is why truth in sales advertising is so important.

What consumer protection laws are for

We have strong protections against misleading conduct in Australia for good reason. If sellers can trick consumers into buying goods at discounts that are actually illusory, those dishonest sellers gain an advantage over honest sellers selling at a transparent and accurate price.

This risks a market that rewards poor conduct and encourages an overall rush to the bottom.

Australian Consumer Law takes the view that consumers should be able take the advertisements they see at face value. Consumers shouldn’t have to assume they are going to be tricked by sellers.

Such an approach would not conform to the object of enhancing the “welfare of Australians” through “the promotion of competition and fair trading” that underlies Australian Consumer Law.

Stopping a bad deal

If you are considering buying goods at the Black Friday sales, it is a good idea to screenshot the item before it goes on sale. That way you can check if the sale discount is genuine and the item is actually the same as the one you want (not an older or cheaper model).

When shopping at a sale, take time to look at the discount offered. Is it a real discount? Does it justify the spend coming up to the holiday period? Discounts may be marked up in an attractive colour but still not represent good value.

Finally, if you think you have been misled by a pricing strategy, such as a discount that isn’t genuine or a fine-print qualification on the discount that is advertised, you can complain to the ACCC.

Ideally, take screenshots of what was advertised and what you received to support your claim to be treated fairly at sales time.The Conversation

Jeannie Marie Paterson, Professor of Law (consumer protections and credit law), The University of Melbourne

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Are you finishing Year 12? Here’s how to avoid a post-school slump

Mart Production/ Pexels
Sarah Jefferson, Edith Cowan University

The period immediately after completing Year 12 can feel unexpectedly anticlimactic.

You have been building up to the end of school for years, then there is the intensity and pressure of exams and festivities of formals and graduation ceremonies. And then suddenly, it’s all over.

Irrespective of how much you enjoyed school, it can be a vulnerable time. The familiar structure of school is gone and the next chapter is murky.

Now, you may face weeks or months of waiting, for exam results or to start study or work. Perhaps there is the (exciting but perhaps terrifying) limbo of a gap year.

Any kind of transition – even a positive one – can be stressful.

You can’t remove the uncertainty. But here are some research-informed strategies to help support you as you navigate the next chapter.

Reflect and debrief

It can be useful to reflect on Year 12. You’ve just completed something major, what did you learn about yourself? This is a life skill that is transferable across a range of contexts and research shows it facilitates self discovery.

Ask yourself what worked, what surprised you, what values or strengths did you discover?

For example, if you’ve applied to do a science degree, but the thing you loved most about Year 12 was your art major work, do you need reconsider your uni preferences? Remember many degrees offer broadening units (units outside your major) which allow you to explore other interests as well.

Make a flexible plan

You may already have a plan for what you do next. Or maybe you don’t. This period is a good time to think through your options, away from the stress and focus of exams.

There are many pathways after school, from TAFE, traineeships, short courses as well as university.

You also don’t need to map out your whole life. You could just include some small, manageable milestones. For example, “this week I’ll research options,” “by the end of the month I’ll have a shortlist of what I want to do next year”.

‘Active’ waiting

Rather than sitting around passively, waiting for “the next stage”, think of something different to do with your time.

This could include some paid work, volunteering or a project – such as starting a new sport, or joining a local community group. There are groups as diverse as tree planting through to visiting your local aged care home.

This is a time where you can explore a field of interest, gaining work, or volunteer experience or developing a new skill like obtaining a barista or responsible service of alcohol licence.

These can also widen your social circle and help you start to see what life outside school looks like.

Maintain some routines

While you need a break after all the work, it’s good for your mental health to continue with some routines.

This includes getting enough sleep and regular exercise.

Monitor wellbeing

Are you OK? This is a stressful time.

Watch for signs of demotivation, persistent anxiety, withdrawal from friends or things you usually like to do, or feeling hopeless. These can be early indicators of mental health strain.

Seek help from a trusted adult or your GP if you are worried – and don’t wait to speak up.

A note for parents

For any parents reading, this can also be a tricky time. Legally, your child may now be an adult or just about to become one.

Research tells us 17- and 18-year-olds do not develop in a linear way. This means they may be ready for some challenges and thrown by others.

So it becomes difficult to know when to provide support and when to pull back and even let young people make their own mistakes. Each young person is different. Some may know exactly what they want and others may need more exploration time. Research shows imposing pressure or controlling too tightly tends to backfire.

For parents it can help to:

  • stay emotionally present. Parental warmth and connection remain crucial even as the child seeks independence. So listen and validate uncertainty but resist the urge to “have all the answers”

  • understand the role shift. You’re becoming more of an adviser, rather than a director in your child’s life. Ask questions and listen carefully to their answers. Their experience will differ to yours, so try to avoid leaping in with your own stories

  • negotiate new boundaries. Maybe you paid their phone bill while they were at school, but this will change once they get a job. Talk this through. Clarity helps avoid resentment

  • monitor wellbeing. Is your child overly stressed or depressed? Do they need help from a health professional? If they are transitioning out of youth mental health services, ensure there’s appropriate handover to adult services or a GP.


If this article has raised issues for you or someone you know, contact Kids Helpline (for ages 5–25 and parents): 1800 55 1800 or kidshelpline.com.au.The Conversation

Sarah Jefferson, Senior Lecturer in Education, Edith Cowan University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

A safety expert explains why you should stay in Australia for schoolies and avoid overseas

Wendy Wei/ Pexels
Alison Hutton, Western Sydney University

At the end of November, official schoolies celebrations will begin for the class of 2025. While the Gold Coast, Byron Bay, Lorne and Victor Harbour are still popular, young people are also choosing to travel internationally to celebrate the end of school.

Last year, an estimated 8,000 school leavers went to Bali. Fiji, Vanuatu and Thailand are also popular schoolies destinations.

My work focuses on keeping young people safe from harm at large events. Here’s what you should consider before booking an overseas schoolies trip.

Local laws are different

Laws can be very different overseas. In Indonesia, for example, the local drinking age is 21, and this applies to both nationals and foreigners.

Many drugs are prohibited and have severe penalties. What might be considered a minor offence in Australia can have serious legal consequences, including imprisonment in Indonesia.

Knowing and respecting local laws is crucial to ensure you stay safe while celebrating.

Young people can also be targeted for theft and harm, such as drink spiking, by locals, who may view schoolies as wealthy and inexperienced.

Drinking safely

Since schoolies began in Australia in the 1970s, the event has been designed for young people. This has involved efforts to keep the party environment safe as young people celebrate the end of their school years.

Australian schoolies venues are set up with the expectation schoolies will drink and get up to a bit of mischief. So free services have been developed to support school leavers to party, while reducing the risks of harm.

They include chill out zones, giving out lollies, free water and recharge stations.

Overseas, there may not be regulations to protect young people from the harmful consequence of drinking and drinks may not be safe. This includes the risk of methanol spiking, which can be lethal.

If you are drinking overseas, stick to licensed venues, and stick to sealed and labelled drinks. Be cautious about unusually cheap drinks.

Volunteers and police

If you go to schoolies in Australia, there are dedicated teams of volunteers at official events. These volunteers walk around the venue to ensure people are safe. They can help you find your friends, take you to a safe space or stay with you if you are alone.

There are also event personnel to help you get food or drink or recharge your phone and you can talk to them without consequences. If things go wrong, there is medical attention on standby and it is free and confidential. Police are also there to ensure you are safe.

Overseas, language barriers and unfamiliar environments can make it harder to access help and make safer choices. Some venues may have volunteer helpers, but overall, there are no dedicated medical or police teams to help you if you get into trouble.

Wherever you are partying, make a plan beforehand to stick with your friends and look out for each other. Avoid going anywhere alone, especially at night, and always organise a meet up spot in case you do get separated or your phone dies.

Access to consular and medical support

If something goes wrong overseas there may be limited consular support if you have broken local laws – even if you didn’t mean to. Health systems may not offer the same standard of care and medical evacuation can cost tens of thousands of dollars.

Even if you have travel insurance, it may not always include coverage for alcohol or drug-related incidents.

There will still be huge parties in Australia

Going overseas is exciting, but schoolies is a recognised rite of passage in Australia – supported by a wide range of services designed to help young people celebrate safely.

Staying at home doesn’t mean missing out, it means celebrating in an environment created for young people, surrounded by friends, safety supports, and familiar systems.The Conversation

Alison Hutton, Professor of Nursing, Western Sydney University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

A new way to measure the age of dolphins opens a window onto the lives of these iconic animals

Carolyn Cole/Los Angeles Times via Getty Images
Evi Hanninger, Te Kunenga ki Pūrehuroa – Massey University; Emma Betty, Te Kunenga ki Pūrehuroa – Massey University; Karen A Stockin, Te Kunenga ki Pūrehuroa – Massey University; Katharina J. Peters, University of Wollongong, and Livia Gerber, CSIRO

Knowing the age of an animal reveals key information about how long it lives and when it reproduces.

Age is also essential to understanding the health of a population and how well it can cope with threats such as pollution and habitat loss.

But figuring out the age of wild animals is not easy, especially for dolphins.

Two common dolphins jumping above the water.
Common dolphins in the wild. Auckland Whale and Dolphin Safaris, CC BY

Until recently, researchers had to slice the teeth of dead dolphins and count growth layers, much like tree rings.

This method becomes more problematic in older animals because teeth wear and the growth layers sit closer together, which can lead to dolphins’ age being underestimated. It is obviously also impossible to extract teeth from living dolphins.

In our new research, we linked DNA markers with known tooth ages of dead dolphins to build the first molecular “epigenetic clock” for common dolphins (Delphinus delphis).

This allows scientists to estimate the age of living common dolphins from just a skin sample, opening a new window onto the lives of these iconic animals.

But this research also raises two key questions: could the limitations of tooth-based ageing affect the accuracy of the clock, and does DNA degradation in dead animals influence the age estimates? Our work addresses both concerns.

How DNA becomes a clock

New DNA-based techniques are transforming how scientists estimate age by reading tiny chemical changes in DNA that change predictably as animals grow older.

Researchers have studied these DNA patterns in hundreds of mammal species and developed epigenetic clocks – reliable tools that estimate age without having to remove teeth or use invasive methods.

A microscope image of a slide of a common dolphin tooth, with yellow dots marking growth layers.
The yellow dots mark individual growth layer groups (similar to tree rings) in a common dolphin tooth, each representing one year of age. Massey University, CC BY

While epigenetic clocks are now emerging for dolphins, these DNA changes have only been studied in a few species so far. Until now, no epigenetic clock has existed for common dolphins – one of the world’s most widespread dolphin species.

This is because scientists first need skin samples from animals whose ages are already known to build these clocks.

These reference ages often come from dolphins monitored since birth in the wild or from animals in human care. But for many long-lived species, such long-term records simply don’t exist.

A handful of studies used tooth ages from dead dolphins, but this has historically raised questions about the effect of decomposition, and also whether errors in tooth ageing older animals may affect accuracy of the DNA clocks.

To address these concerns, we analysed 75 common dolphins that had stranded or been accidentally caught in fishing nets in New Zealand. For each animal, we counted growth layers in teeth to determine age and used a skin sample to measure DNA markers at almost 38,000 sites across the genome.

We combined these data to build a model that estimates age from DNA to create an epigenetic clock for common dolphins.

Putting the clock to the test

Our clock can predict age to within about two years, although estimates became less precise in older dolphins.

This brings us back to our key question: is this due to less accurate tooth ageing in older animals, or because DNA breaks down after death?

In our study, the clock tended to underestimate the age of older dolphins. However, if tooth ageing were the problem, we would expect the opposite — that the DNA clock would give older ages than tooth readings.

This makes dental ageing errors unlikely. We also tested whether skin decomposition affected age estimates, and found no effect.

An illustration showing how the research team addressed
We built the first DNA-based age clock for common dolphins, addressing issues of tooth ageing and postmortem samples for clock calibration. Massey University, CC BY

Why then are older dolphins underestimated? This is a biological effect seen in many species. The DNA changes that track age become more gradual later in life, which means the clock has fewer signals to work with.

It’s not caused by teeth or decay, but because ageing slows naturally at the molecular level.

A game changer for dolphin conservation

Our findings address longstanding concerns about whether tooth ages are reliable to calibrate epigenetic clocks. We show the method is genuinely robust, even when using stranded or by-caught dolphins.

This means DNA age clocks can be built for animals whose ages are only known from tooth readings. This is important because for many dolphin species, tooth records from dead animals are the main or only method scientists have to determine an individual’s age.

A common dolphin entangled in fishing line.
A common dolphin entangled in fishing line. Massey University, CC BY

This molecular clock is a major step forward for conserving common dolphins.

Scientists can now determine age from minimally invasive biopsy samples and, in turn, estimate survival and reproductive rates in free-ranging wild dolphins.

This will help identify how threats such as climate change and fisheries bycatch affect different age groups.

Common dolphins are one of the most widespread dolphin species on Earth and have long been considered abundant. But they face significant human pressures globally and are increasingly vulnerable.

In New Zealand and across Australasia, they are among the most frequently caught dolphins in fisheries bycatch. Experience from other regions such as the Mediterranean Sea shows that even “common” species can decline rapidly under sustained pressures such as overfishing, pollution and habitat degradation.

Being able to accurately estimate age from a small skin sample means scientists can better understand how long common dolphins live, when they reproduce and how many young survive. Such information is critical for protecting populations before they decline.The Conversation

Evi Hanninger, PhD Candidate in Marine Science, Te Kunenga ki Pūrehuroa – Massey University; Emma Betty, Research Officer in Cetacean Ecology, Te Kunenga ki Pūrehuroa – Massey University; Karen A Stockin, Professor of Marine Ecology, Te Kunenga ki Pūrehuroa – Massey University; Katharina J. Peters, Lecturer in Biological Sciences, University of Wollongong, and Livia Gerber, Postdoctoral Fellow in Genetics, CSIRO

This article is republished from The Conversation under a Creative Commons license. Read the original article.

How a medieval Oxford friar used light and colour to find out what stars and planets are made of

William Crozier, Durham University

During the 1240s, Richard Fishacre, a Dominican friar at Oxford University, used his knowledge of light and colour to show that the stars and planets are made of the same elements found here on Earth. In so doing he challenged the scientific orthodoxy of his day and pre-empted the methods and discoveries of the 21st-century James Webb space telescope.

Following the Ancient Greek philosopher Aristotle, medieval physics affirmed that the stars and planets were made from a special celestial element – the famous “fifth element” (quinta essentia) or “quintessence”. Unlike the four elements found here on Earth (fire, water, earth and air), this “fifth element” is perfect and unchanging.

Fully transparent, it formed the basis of what were believed to be the nine concentric celestial “spheres” surrounding the Earth, as well as the various stars and planets attached to them. These, it was argued, were merely condensed versions of the “fifth element”, with each of the first seven spheres having its own planet, and the outermost eighth and ninth spheres containing the stars and heaven itself, respectively.

Colour, light and the stars

Lacking access to telescopes and rock samples, Fishacre – the first Dominican friar to teach theology at Oxford University – openly rejected the idea that the stars and planets were made from some special “fifth element”. In his opinion, they consisted of the same four elements found here.

His reason for asserting this position was his understanding of how colour and light behave.

Colour, Fishacre noted, is typically associated with opaque bodies. These, however, are always composite, meaning made up of two or more of the four terrestrial elements. When we look up at the stars and planets, however, we see that the light they emit often has a faint colour. Mars appears red, and Venus yellow, for example. This suggests, of course, that they are composite and thus made “ex quattuor elementis” – “out of the four elements”.

In Fishacre’s opinion the surest proof that the stars and planets were not made of some special “fifth element” came from the Moon. It has a very definite colour, and, crucially, every so often it eclipses the Sun. Were it made from the transparent fifth element – even a highly condensed version of it – then surely the Sun’s light would pass through it, just as it does a pane of glass. This, however, is not the case.

The Moon, Fishacre reasoned, must therefore be made of the same elements found on Earth. And if this was true of the Moon, which is the lowest celestial body, then it must also be true of all the other stars and planets.

A brave move

In arguing this, Fishacre knew that he was risking criticism. “If we posit this position,” he wrote, “then they, that crowd of Aristotelian know-it-alls (scioli aristoteli), will cry out and stone us”.

Sure enough, stones were thrown at Fishacre – and from high places. In 1250, his teaching was denounced at the University of Paris by St Bonaventure of Bagnoregio, a Franciscan friar who ridiculed in his lectures those “moderns” like Fishacre who foolishly questioned Aristotle’s teaching on the celestial fifth element.

Contemporary astrophysics has, of course, vindicated Fishacre’s position. The stars and planets are not made of some special fifth element, but rather from many of the same metals and elements found here on our home planet. The James Webb space telescope, for example, recently established that the atmosphere of the Neptune-like exoplanet TOI-421 b, some 244 light years away, contains high quantities of water and sulphur dioxide.

Remarkably, how the James Webb space telescope established this – a process known as transmission spectroscopy – is very similar, at least in principle, to the method which Fishacre employed. It detected subtle variations in the brightness and colour of the light emitted by TOI-421 b which could only be caused by water and sulphur dioxide.

Given how much criticism his claims received, Fishacre would no doubt have been delighted to know that nearly 800 years after his death, contemporary astronomy, just like him, is using light and colour to show that far flung stars and planets are all made from the same elements.

William Crozier, Duns Scotus Assistant Professor of Franciscan Studies, Durham University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Healing, purification and holiness: how ancient Greeks, Romans and early Christians used olive oil

DEA PICTURE LIBRARY / Contributor/Getty
Tamara Lewit, The University of Melbourne

Today, olive oil is often hailed as helping to protect against disease, but beliefs in its medicinal or even sacred properties date back millennia.

Olive oil was used for healing and purification and associated with important rituals from at least the second millennium BCE, in ways which still influence practices today.

A holy liquid

Mid 2nd millennium BCE texts from the capital of the Hittite empire (in what is now Turkey) describe the anointing of a newborn child and the mother to ward off the dangers of birth.

In ancient Syria the high priestess of the god Baal was initiated with an anointing of “fine oil of the temple”.

Mycenaean Bronze Age tablets from the palace of Pylos in what is now Greece record the making of special scented oil to be offered to the gods.

In the Hebrew scriptures, oil is used to to initiate priests and kings such as David and Solomon, and to sanctify ritual objects.

A preserver of health

Olive oil was used by Greeks and Romans for cleansing and healing.

Oiling while bathing was a vital part of health regimes. No visit to the baths was complete without rubbing your body with oil (in place of soap) and scraping it off with a metal tool called a strigil.

Roman author Pliny the Elder wrote:

There are two liquids that are especially agreeable to the human body: wine inside and oil outside […] but oil is an absolute necessity.

He recommended olive oil as a cure for nettle stings and a base for many medicinal herbs.

Celsus, a Greek medical writer of the second century CE Roman Empire, advised:

If an exhausted person is bordering on a fever, they should immerse themselves […] in warm water to which a little oil has been added and then gently rub the whole body […] with oil.

Another medical writer Soranus says to anoint a newborn with olive oil, as had the Hittites 1,500 years earlier.

A recent study has shown that perfumed oil was used in Greco-Roman offerings to deities, and for the ritual anointing of statues.

Olive oil and Christianity

When Christianity developed in the later Roman Empire, the Greek term Christos was used as a translation of the Hebrew word messiah, meaning “one anointed with sacred oil”. This was the origin of the words Christian and Christ.

Scented and blessed olive oil called a chrism was used for sanctification and purification.

A church council of 381 CE records that:

Those who […] are being saved from the heretics […] are first anointed with holy chrism on the forehead, eyes, nostrils, mouth and ears […] and then we baptise them.

Such perfumed olive oil was (and indeed still is) used to sanctify liturgical objects such as chalices, in rituals such as the ordination of priests, before baptism, and to anoint the sick.

A child is annointed with oil during a Catholic ceremony.
Oil is still used in religious rituals today. Photo by Matt McClain/The Washington Post via Getty Images

Churches were lit by a new type of lamp called a polycandelon, which had multiple glass bowls filled with scented olive oil, as well as lamps made in symbolic shapes such as a dove, crown or boat. These symbolised the light of God and contributed a heavenly fragrance.

The oil from saints’ tombs and sacred places was reputed to bring about healing miracles. Reliquaries containing the remains of saints had special holes for oil to be poured in and then dispensed.

This and the scented oil from lamps at martyrs’ shrines was used to anoint the sick.

A ninth century text describes how at Saint Menas’ tomb in Egypt:

a lamp before the grave […] burned day and night and was filled with fragrant oil. And when anyone took of this lamp oil […] and rubbed a sick person with it the sick person was healed.

Pilgrims who visited holy sites collected such oil in flasks, hoping to take home its healing power.

Ampulla (Flask) of Saint Menas
Pilgrims used flasks like this to carry oil from the pilgrimage site of Saint Menas. Rogers Fund, 1927/The Met

The early Church not only used olive oil, but also produced it.

Sixth century and later monastic and church archives record gifts of olive groves and enslaved workers to ecclesiastical and monastic estates.

This is confirmed by my own recent research into archaeological finds of oil production remains in episcopal complexes, annexes attached to churches, and in monasteries.

Christian symbols appear on the seals of oil transport containers from a fourth century CE shipwreck recently found off the coast of Mallorca.

Their painted inscriptions identify the contents as a special “sweet oil”, perhaps produced at monasteries in southern Spain and marketed for ritual and healing use.

Olive oil today

Ancient uses of olive oil for rituals of initiation, sanctification and healing have a modern legacy.

In 2023, oil for the coronation of Charles III was harvested from groves on the Mount of Olives, processed at local monasteries and blessed by archbishops in Jerusalem.

The anointing ritual continued a tradition derived from early medieval coronations of the first English kings, in turn modelled on that of the ancient King Solomon.

Olive oil is still used in Christian sacraments, the consecration of churches, and anointing of the sick.

Beautiful to taste, touch, see and smell, olive oil has had a special significance in human history. Its uses today have grown from the roots of a long tradition.The Conversation

Tamara Lewit, Honorary Fellow, School of Historical and Philosophical Studies, The University of Melbourne

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Amelia Earhart disappeared almost 90 years ago. Why are so many people still looking for her?

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Natasha Heap, University of Southern Queensland

It has been more than 88 years since the world’s most famous female aviator, Amelia Earhart, and her navigator Fred Noonan, disappeared on the second-last leg of their around-the-world flight odyssey.

According to the United States government’s official report of the 16-day search, Earhart and Noonan ran out of fuel and crashed into the Pacific Ocean, short of their objective of Howland Island, on July 2 1937.

The disappearance, which is often labelled as “mysterious”, continues to captivate the world. With no confirmed wreckage found, millions of dollars have been spent on repeated, fruitless searches. And sensational claims of a possible discovery make splashy headlines with alarming regularity.

A black and white photo of American pilot Amelia Earhart and her navigator, Captain Fred Noonan, standing in front of a plane in a hangar.
American pilot Amelia Earhart with her navigator, Captain Fred Noonan, in the hangar at Parnamerim airfield, Brazil, on June 11 1937. Topical Press Agency/Getty Images

Interest in Earhart’s case has also been bolstered by United States President Donald Trump who, in September, said he would order his administration to declassify secret government records related to the disappearance.

A cycle of discovery and disappointment

Many expeditions for Earhart have followed a predictable four-step pattern: a dramatic announcement of a new, startling find; “we found Amelia” stories in the press; the evidence is quietly debunked, or the expedition is postponed; the coverage fades from the media cycle until the next “startling find”. And repeat.

In recent months, we have seen extensive media coverage of yet another such planned expedition. The destination is the so-called “Taraia object”, photographed off Nikumaroro Island, Kiribati – some 644km south-west of Earhart’s destination of Howland Island.

The expedition team includes experts from Purdue University, and the Archaeological Legacy Institute (ALI), headed by ALI’s Executive Director Richard Pettigrew.

It is based on a hypothesis by The International Group for Historic Aircraft Recovery (TIGHAR) that Nikumaroro Island was the final destination of Earhart and Noonan. However, the US government’s initial search (which included Nikumaroro) turned up no evidence of Earhart, Noonan or the aircraft.

Still, the joint ALI and Purdue team seem hopeful. As Pettigrew told Newsweek:

Everything that we see indicates it’s very possible, perhaps even likely, that this is what remains of Amelia Earhart’s aircraft.

The Conversation reached out to TIGHAR founder Ric Gillespie, who said he does not think the Taraia object is the wreck of Earhart’s Lockheed Model 10E Electra aircraft.

Originally scheduled to launch on November 4, the joint ALI and Purdue expedition was postponed last month due to issues with getting permits from the Kiribati government.

ALI continues to publicly fundraise for it, hoping to reach a target of US$900,000 for “Phase 1” (a site visit). Estimated costs for the proposed Phase 2 (the archaeological excavation) and Phase 3 (the “recovery of the aircraft remains”) are yet to be released.

Before ALI, there was TIGHAR

TIGHAR was founded by as a private non-profit in 1985 by Ric Gillespie, and has been searching for aircraft wrecks, including Earhart’s, since 1989. It has mounted at least five expeditions to Nikumaroro since 2010.

Last year, Gillespie said he was “absolutely certain” Earhart crash-landed and lived as a castaway on Nikumaroro Island. But no definitive evidence has been presented.

The organisation has never recovered a complete aircraft of any type, nor a single verified piece of an historic aircraft. For each search project, it raises funds from members, the public, and other interested parties.

Although Gillespie told The Conversation TIGHAR is currently “not fundraising for Earhart research or expeditions”, the organisation’s website contradicts this.

Dorothy Cochrane, a now-retired curator of the Smithsonian National Air and Space Museum, and a long time sceptic of TIGHAR’s work, said in 2016:

He’s (Ric Gillespie) used the same quote unquote evidence over and over again. […] He does this on a routine basis whenever he wants to mount another expedition … It’s his business. It’s his livelihood.

TIGHAR generates income through multiple channels, including various tiers of membership fees, the sale of publications, and general donations. But its website provides little information regarding how funds are allocated to or used within projects.

In response to questions about transparency around how donations are used, Gillespie told The Conversation:

TIGHAR is a recognised educational non-profit foundation. Like any non-profit organisation, we raise money to cover the cost doing our work. All US non-profits are prohibited from “making” money. All money raised is put into the organisation.

Professional heritage and preservation organisations have also raised concerns regarding private bodies searching for, and salvaging, historic wrecks – especially when such organisations only speak of finding and recovery, and not of subsequent preservation or research.

The competing hypotheses

There are several competing views on what happened to Earhart. Some searchers follow the official report’s finding that she crashed and sank close to Howland Island.

In January 2024, much media hype was generated by a sonar image – taken by exploration company Deep Sea Vision – of what some claimed was Earhart’s aircraft. But in November, it was revealed to be a natural rock formation, with far less publicity. Many people will have seen the “discovery”, but not the correction.

The Nauticos Corporation has also been searching for Amelia since 2001, mounting searches in 2002, 2006 and 2017. Each one has come back empty-handed.

Some searchers have also put forward outlandish theories that have all been debunked. These include the claims that Earhart was a spy for then US president Franklin D. Roosevelt, that she crashed in Papua New Guinea, that she was taken prisoner by the Japanese, and that she survived the flight and returned to live anonymously in the US.

Cultural fascination and media myth-making

The global media loves a sensational story: if it bleeds, it leads. But while there’s no fresh blood in the Earhart story, the legacy and modern media have contributed to the proliferation of reports from dubious organisations.

This kind of sensationalism can overshadow critical inquiry, and lead to unsupported claims being remembered long after quiet retractions and scientific rebuttals are published.

At the time of her death, Earhart was among the most famous women in the world. She was a record-breaking pilot, best-selling author, feminist hero and friend of the first lady Eleanor Roosevelt. She disappeared at the peak of her career, and towards the end of the golden age of aerial exploration.

Even people with no interest in historical aviation or aviation archaeology have heard of her, and want to read about the next expedition to find her. But at what cost?

Each high-tech expedition costs millions of dollars. As yet, not one has produced irrefutable evidence of the wreckage. As searches continue, we must ensure they are supported by ethical funding and evidenced-based reporting.

The story of Earhart’s disappearance persists not just because of what we don’t know, but because of how we choose to keep the myth alive. Perhaps one day we can let her rest in peace.The Conversation

Natasha Heap, Program Director for the Bachelor of Aviation, University of Southern Queensland

This article is republished from The Conversation under a Creative Commons license. Read the original article.

5 health benefits of line dancing – according to science

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Danielle Le Lagadec, CQUniversity Australia and Catherine Hungerford, CQUniversity Australia

Line dancing is enjoying a global resurgence, rising to a level of popularity not seen since Billy Ray Cyrus’ Achy Breaky Heart topped the charts in 1991.

But it’s no longer just for cowgirls and cowboys. While traditionally associated with country music, line dancing has evolved to include variations of waltz, swing, salsa, disco and rock'n'roll.

This kind of synchronised dance involves people in rows repeating choreographed steps. It doesn’t require a partner, so you can turn up solo and learn on the go. And its popularity is rising among people of all ages.

So, why has line dancing gone viral?

The craze is partly driven by social media users embracing line dancing’s easy-to-follow routines. But a post-COVID pandemic demand for gathering in community has also seen line dancing groups spring up in bars, clubs, community halls and outdoor areas.

It’s also nostalgic and accessible, with an emphasis on fun rather than skill.

While doing research on its health benefits, one of us (Danielle) decided to give line dancing a go. Unable to follow the steps at first, it was a lesson in humility. But a year later, Danielle is still happily pounding the floor each week in her line dancing group – and encouraging others to give this science-backed mood-booster a try.

Our research reviewed 16 studies about line dancing. Here are the health benefits we found.

1. It’s a workout

Line dancing is good exercise: it incorporates coordination and balance with a cardiovascular workout.

The steps can also be adapted to match the dancers’ abilities. Energetic young people might bootscoot and boogie while more mature dancers can shuffle and sway – all to the same tune.

Research has shown regular physical activity help prevent many chronic conditions, such as diabetes, cardiovascular disease, obesity and even some cancers.

In older people, line dancing has been shown to improve motor skills, flexibility and gait, reducing fall risk and helping to maintain good overall health.

2. Good for mental health

Our study showed line dancing boosts mental wellbeing, reduces anxiety and depression, and relieves stress.

This is largely due to endorphins, the pain-relieving chemicals the body releases during exercise. They improve mood and can leave dancers feeling elated and full of joy and self-confidence after a session.

But you don’t even have to participate to feel the benefits. There is evidence to suggest watching dancing can stimulate some of the body’s mood-boosting responses and reduce stress.

3. It’s social – but you don’t need a partner

With more than 43% of young people saying they feel persistently lonely, and elder isolation on the rise, finding connection with other people is more important than ever.

Research shows participating in sport – and particularly team activities – is a protective factor against loneliness.

Compared to partnered types of dance such as ballroom, line dancing might seem like a solitary activity. But this actually means people can show up alone and still connect with others, uniting around an activity. People get involved with a community and may even develop friendships.

We found that line dancing can also break down cultural and social barriers and expand social support networks, helping to develop a sense of belonging and unity.

4. A workout for your brain, too

The combination of stomps, backsteps and kicks can be overwhelming at first. But the sense of achievement when you master these steps is worth it.

Studies have shown that, as line dancers become more proficient, their memory and brain function improves.

There is evidence this can help prevent dementia and improve university students’ concentration.

5. Line dancing builds community

Our research found line dancing has benefits beyond the individual.

For example, in one 2008 study researchers interviewed 30 women aged over 60 about their involvement in line dancing. Many said it led them to become more engaged in the community, including volunteering.

But if you’re thinking of getting involved yourself, a word of warning: there may be no turning back. Line dancing can be profoundly addictive and seriously fun.The Conversation

Danielle Le Lagadec, Senior Lecturer and Head of Course, Graduate Certificate in Nursing, CQUniversity Australia and Catherine Hungerford, Associate Professor and Head of College, Nursing and Midwifery, CQUniversity Australia

This article is republished from The Conversation under a Creative Commons license. Read the original article.

How ‘build-to-rent-to-own’ could help more renters get a toehold in the housing market

Jakub Zerdzicki/Pexels, CC BY
Caitlin McGee, University of Technology Sydney and Gordon Noble, University of Technology Sydney

With record low housing affordability and more Australians destined for lifelong renting, governments are encouraging more “build-to-rent” housing across Australia.

Build-to-rent housing is designed for long-term rental and owned by institutional investors, such as superannuation and pension funds. It’s well-established internationally, already making up 12% of housing in the United States and 5% in the United Kingdom. But it’s relatively new in Australia.

Here, a small but growing commercial build-to-rent sector mostly targets homes for urban professionals, while community housing providers aim to deliver more affordable long-term rental housing. In New South Wales, state-owned developer Landcom is developing build-to-rent housing for essential workers and regional communities.

Last year, the Australian government introduced new legislation and tax breaks to encourage more investment in build-to-rent homes. While still only a small part of the housing market today, there are a growing number of built-to-rent projects.

Our new research, released today, recommends taking advantage of that growth to help renters get a toehold in the housing market – with a model called “build-to-rent-to-own”.

What is build-to-rent-to-own? Has it been done before?

Our proposed build-to-rent-to-own model means residents could build an ownership stake in their build-to-rent development without a deposit or bank loan, potentially for as little as A$10 per week.

Residents wouldn’t own a property title. Instead, they would own shares in the build-to-rent corporate entity. Only residents of a development could purchase shares in it, including residents living in affordable housing tenancies.

Residents participating in a build-to-rent-to-own scheme would receive a dividend. This could be used to offset their rent or buy more shares, with the option to accumulate shares up to the full value of their own home.

Shares would be valued quarterly and could be “cashed out” (sold back to the corporate entity), or passed on as inheritance to family members wanting to live in the development.

This model has similarities to “limited equity” housing cooperatives, which thrive in Northern Europe. This model is not to be confused with rent-to-buy models, which allow renters to buy their unit at a set price through a conventional mortgage when the lease expires.

Build-to-rent-to-own wouldn’t deliver a quick fix for our housing affordability crisis, but could have a real impact in the longer term.

As of 2022, existing build-to-rent developments only made up about 0.2% of the housing market or around 23,000 apartments.

But the sector is growing fast, with around 39,300 apartments worth around A$30 billion now in the pipeline across Australia.

Who could benefit most?

More Australians are finding themselves locked out of the housing market. What if they could build an ownership stake from day one of moving into a build-to-rent development?

Our research identified several types of buyers most likely to benefit from build-to-rent-to-own, including:

Build-to-rent-to-own could particularly help regional communities, facing extra challenges to access home loans and limited downsizing options.

It’s not only residents who could benefit, but the investors and developers delivering build-to-rent. Lifelong tenants are the “holy grail”: reducing turnover costs and increasing long-term risk-adjusted returns.

How to make it happen

To develop this build-to-rent-to-own blueprint, we consulted with investors, housing providers, developers, policymakers and local councils.

We don’t see a need for legal changes, as the model is designed to work within the federal build-to-rent legislation and financial market guidelines.

But more work is still needed to turn our concept into reality, including:

  • common national guidelines for a build-to-rent-to-own scheme
  • pilots in cities and regions, to test how it could best work for wider rollouts
  • and a working group to provide the governance foundations to develop build-to-rent-to-own across Australia and oversee the recommendations above.

Turning build-to-rent-to-own into a reality will require a collaborative effort between governments, investors, community housing providers, developers and community groups. Based on our consultation, we think it could provide a new way to help more Australians finally get a toehold in a tight housing market.


The authors acknowledge the contribution of our colleagues Matthew Daly and Joshua Gilbert to this research.The Conversation

Caitlin McGee, Research Director, Institute for Sustainable Futures, University of Technology Sydney and Gordon Noble, Research Director, Institute for Sustainable Futures, University of Technology Sydney

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Dogs 10,000 years ago roamed with bands of humans and came in all shapes and sizes

Kylie M. Cairns, UNSW Sydney and Melanie Fillios, University of New England

From village dogs to toy poodles to mastiffs, dogs come in an astonishing array of shapes, colours and sizes. Today there are estimated to be about 700 million dogs living with or around humans.

To many of us, dogs are loyal companions, working partners, and beloved family members – and the histories of our species are deeply woven together. But how did this incredible diversity come to be – and how far back does this relationship with humans go?

Two new studies published today in Science provide some answers. One, led by Allowen Evin from the University of Montpelier, draws on ancient skeletal remains. The other, led by Shao-Jie Zhang from the Kunming Institute of Zoology, draws on the study of DNA from ancient Eastern Eurasian dogs.

Together, these studies suggest the story of dogs and their relationship with humans is older and more complex than once thought.

The origins of modern dog diversity

The study by Evin and her colleagues used 643 dog and wolf skulls spanning the past 50,000 years to address the origins of modern dog diversity.

Her team’s analysis suggests the distinctive “dog-like” skull shape first arose around 11,000 years ago, during the Holocene epoch, the time since the most recent ice age. They also found substantial physical diversity in dog skulls from the same period.

Two skulls with long snouts.
Photograph of an archaeological canid skull (top) and a modern dog skull (bottom) used for the photogrammetric reconstruction of 3D models in the study. C. Ameen/University of Exeter

This means the wide range of shapes and sizes dogs have today isn’t solely a product of the intense selective breeding programs that became popular in the last few centuries. Some of that variation emerged millennia earlier.

The team re-analysed the skull shapes of all 17 known dog or wolf skulls from the Late Pleistocene, a geological period from 129,000 to 11,700 years ago. Some skulls were 50,000 years old.

They found all of these Pleistocene skulls were essentially wolf-like in shape, including some previously identified as early dogs.

Importantly, this suggests that while the split between wolves and dogs likely occurred during the Pleistocene, the skull shape of early dogs didn’t start to change until closer to the Holocene – that is, 11,000 years ago. However, some Holocene dog skulls still retained wolf-like features.

This research suggests early dogs were much more diverse than previously thought. This diversity may have laid the groundwork for the extreme variations in size and shape of the dogs we have today.

Travelling companions

Earlier genomic studies have uncovered four major dog lineages that likely originated about 20,000 years ago: Eastern (East Asian and Arctic) and Western (Europe and Near East) dogs.

The origins of these ancient dog lineages are still being untangled. However, studying shifts in the ancestry of dogs through time and between different regions can help us better understand both the origins of dogs and the movement of Neolithic (new stone-age) humans.

The new study by Zhang and his colleagues used 73 ancient dog genomes spanning the last 10,000 years to explore how humans and dogs moved across Eastern Eurasia through time.

Analysis of these ancient dogs identified multiple shifts in the ancestry of dogs in Eastern Eurasia at times that correlate with the movement of specific human groups (hunter-gatherers, farmers and pastoralists). This suggests that as different human cultural groups moved across Eurasia, their dogs often moved with them, carrying their unique genetic signatures.

There was some discrepancy between human and dog population ancestry in some parts of Asia. For example, Eastern hunter-gatherers from Veretye and Botai, who were more closely related to Western Eurasian humans, had largely Eastern (Arctic) dogs rather than the Western dogs observed with other Western Eurasian cultures at the time.

This means dogs may have been a key part of cultural exchange or trade between different human cultures or communities. It may also illustrate complexities in the evolution of dogs that we are yet to understand.

The work by Zhang and his team presents compelling evidence that in Eastern Eurasia thousands of years ago dogs played an indispensable role in human societies as crucial “biocultural packages” that moved with humans. In other words, humans took their companions with them on their journeys (and perhaps traded them), rather than simply acquiring new dogs after moving.

These findings highlight the long-term, complex and intertwined relationship between dogs and humans that spans more than 10,000 years.

The genetic ancestry of dogs can act as a living record of ancient human migrations, trade networks and cultural exchanges. Studies on ancient dogs may also help us understand the environmental factors that contributed to the evolution of dogs, and their relationship with humans.

A group of white dogs running across a field.
The groundwork for the extreme variations in size and shape of the dogs we have today was laid about 10,000 years ago. Monika Simeonova/Unsplash

Reshaping our understanding of dogs

Together, these new studies profoundly reshape our understanding of how dogs became so diverse and how they have related to humans along the way.

Both studies underscore that the incredible diversity in modern dogs is not an entirely recent phenomenon. The genetic and morphological foundations for this variation were laid thousands of years ago, shaped by natural selection, human selection and diverse environments, long before the structured breeding of the past few centuries.

Future studies investigating the physical diversity and ancestry of dogs through time could deepen our understanding of the complex origins and spread of dogs across the globe. Whatever their origins, this research deepens our appreciation for the unique and ancient bond between humans and dogs that was almost as diverse as canines themselves.The Conversation

Kylie M. Cairns, Research Fellow in Canid and Wildlife Genomics, UNSW Sydney and Melanie Fillios, Professor, Department of Archaeology and Palaeoanthropology, University of New England

This article is republished from The Conversation under a Creative Commons license. Read the original article.

What should you do if you find a meteorite? Space rock experts explain

NASA / Ron Garan
Heather Handley, Museums Victoria Research Institute; Monash University; Dermot Henry, Museums Victoria Research Institute, and Oskar Lindenmayer, Museums Victoria Research Institute

On Sunday November 2, people in eastern Victoria witnessed a bright streak across the sky followed by a loud sonic boom that felt like an earthquake. The event was captured by security cameras and mobile phones.

Last month, in South Australia, the SA Museum investigated whether a meteorite had struck a moving car, cracking and scorching its windscreen.

Two months earlier, in August, another fireball lit up central Victoria, prompting scientists and volunteers to search farmland near Ballarat and Bendigo for fragments, though none have yet been found.

So meteorites are more common than you might think. But what should you do if you find one?

How often do meteorites land on Earth?

Every day, Earth is showered with more than 100 tonnes of cosmic dust. Every year, hundreds of meteorites fall somewhere on Earth, but most splash unnoticed into oceans or land in remote wilderness.

Only around ten witnessed falls each year are currently recovered. Australia, with its vast deserts and sparse vegetation, is one of the world’s best places to spot and preserve these rare visitors from space.

To date, more than 78,000 meteorites have been identified worldwide. Most originate from asteroids, with some even traced to Mars or the Moon.

Collecting meteorites on Earth is often described as the cheapest form of space exploration. Scientists now have over five times as much Moon rock from meteorites than was returned by the Apollo missions, and with a greater diversity of rock types, providing insights into parts of the Moon that astronauts never sampled.

Famous Australian meteorites

Australia has produced some of the world’s most notable finds. The Cranbourne meteorites (Victoria, described scientifically from 1854 onward), include massive iron specimens and are among the largest recovered in the country.

The Murchison meteorite (1969, Victoria) contains the oldest minerals to form in our solar system, amino acids – the building blocks of life – and “stardust” that formed in exploding stars billions of years before our Sun existed.

More recently, Bunburra Rockhole (2007, Western Australia) was captured on camera by the Desert Fireball Network. The meteorite’s unusual basaltic composition offers rare insights into the diversity of asteroids.

Large meteorite dug out from the surrounding ground with a chain around it
Cranbourne meteorite photographed by Richard Daintree on 21 February, 1862. State Library of Victoria

Today, observation programs such as the Desert Fireball Network track meteors across Australian skies. These help researchers locate and recover new falls such as Murrili (2015, Kati Thanda-Lake Eyre, SA), Puli Ilkaringuru (2019, Nullarbor Plain, WA) and Pindarri Punju Puri (2025, Lake Hope, WA) meteorites. Australia’s arid regions, particularly the Nullarbor Plain, preserve meteorites exceptionally well, with more than half of Australia’s known meteorites found there.

What to do if you think you’ve found a meteorite

If you stumble on a dark, unusually heavy rock with a smooth, sometimes glossy or dimpled surface – known as a fusion crust – and it looks different from the surrounding stones, it could be a meteorite. Some of the most unusual meteorites, such as Murchison, are not particularly heavy, so don’t rule your possible meteorite out on weight alone.

If you think you might have found one, follow these steps to preserve its scientific value.

  1. Photograph it before touching. Include wide and close-up shots and include something for scale, such a coin.

  2. Record GPS coordinates, date and time. Your phone’s location data is fine.

  3. Don’t clean it. Avoid washing, scrubbing or polishing to preserve delicate minerals and chemical signatures.

  4. Handle carefully. Use gloves and wrap in clean aluminium foil, not plastic.

  5. Note everything. Describe the ground type and any features, including nearby rocks.

  6. Contact your state or territory museum for advice and identification.

Dark black rock with smooth bumpy surface
Fragment of the Murchison meteorite showing its black fusion crust that fell in Victoria, Australia in 1969. Rodney Start, Museums Victoria, CC BY

When good intentions go wrong

Unfortunately, not all meteorite finds have been handled with care. Over the years, many have been damaged by well-meaning collectors who soaked them in acid, accelerating corrosion. Some have been scrubbed or hit with a sledge hammer, destroying their fusion crust. Still others were removed them from strewn fields without recording their locations.

Some were even sold or exported illegally, putting them beyond scientific reach. These actions have caused the permanent loss of valuable evidence, sometimes the only clues to a meteorite’s cosmic origin.

Who owns meteorites?

In Australia, meteorite ownership is governed by state and territory laws rather than a single national rule, so it depends on where the meteorite lands.

In WA, all meteorites are state property under the Museum Act, while in SA they belong to the Crown and are managed by the SA Museum. The Northern Territory also declares meteorites Crown property under the Meteorites Act 1987. Finders must report discoveries to the relevant museum. Museums may acknowledge the finder, but the specimens remain part of public collections for research and display.

Other states may allow finders to keep meteorites, though it’s always best to check and report the find to your state museum. Export of meteorites from Australia is regulated at the federal level and permits are required.

These rules ensure meteorites remain accessible for scientific study and for the public to see, contrasting with some other countries where ownership often passes directly to either the finder or private landowner, such as the United Kingdom, United States and some Canadian provinces.

meteorite rock samples in a display cabinet
Meteorites on display at Melbourne Museum. Ursula Smith / Museums Victoria, CC BY

Australia’s skies are still falling – and you can help

Fireballs continue to light up Australian skies each year. By documenting finds carefully, reporting them, and respecting ownership laws, anyone can contribute to planetary science. And sometimes, the next big discovery might literally fall at your feet.


If you’re in Victoria, please contact the Ask Us team at Museums Victoria to have your potential space rock inspected.The Conversation

Heather Handley, Senior Curator, Geosciences, Museums Victoria Research Institute; Monash University; Dermot Henry, Head of Sciences, Museums Victoria Research Institute, and Oskar Lindenmayer, Collection Manager, Geosciences, Museums Victoria Research Institute

This article is republished from The Conversation under a Creative Commons license. Read the original article.

55 million years: Australia’s oldest crocodile eggshells found in Queensland

davidgwhite/iNaturalist, CC BY-NC
Michael David Stein, UNSW Sydney

In southeast Queensland, roughly 250 kilometres from Brisbane, lies the tiny town of Murgon. Located on Wakka Wakka Country, it’s home to about 2,000 people – and one of the most important fossil sites in the world.

From the 55 million-year-old clays there, palaeontologists have unearthed a range of precious fossils over several decades. These include the world’s oldest fossil songbirds, the only known fossils of salamanders in Australia and the oldest fossil marsupial remains in Australia.

And the site continues to serve up ancient treasures. In a new study, published today in the Journal of Vertebrate Paleontology, my colleagues and I report the discovery of the oldest crocodilian eggshells ever found in Australia.

These eggshells now serve as the basis for a new eggshell type, Wakkaoolithus godthelpi. They belong to the oldest known member of a now extinct group of crocodiles known as mekosuchines. And they offer a new look into not just their evolution – but also the forest-lined wetlands they lived in.

Tree-climbing crocodiles

Mekosuchines were Australia’s own unique, local branch of the crocodile family. They dominated inland waters of the continent 55 million years ago. They were part of the group of species that includes alligators, true crocodiles, gharials and caiman.

But they represent a much older branch than the saltwater and freshwater crocs found in Australia today. These modern species made their way to the continent much later, as it came into contact with southeast Asia about five million years ago.

In the 1980s, fossil finds began to take off at sites such as Murgon and the Riversleigh World Heritage Area in Queensland, and Alcoota in the Northern Territory. Since then, palaeontologists have been able to piece together a good picture of the diversity of mekosuchines. This was much higher than what we see today, with ten extinct genera now accounted for.

These fossil finds preserve a vigorous evolutionary history, and in particular a trend towards land-based hunting by about 33 million years ago.

This diversity includes the likes of Quinkana, a large land-based crocodile with narrow jaws, and dwarf species such as Trilophosuchus which may have been in a position to fill the niche of a tree-climbing hunter – a kind of “drop croc”.

The latter case was originally suggested by palaeontologist Paul Willis on the basis of the unusual musculature at the back of Trilophosuchus’s skull. Although hotly debated, Willis suggested this would allow Trilophosuchus to hold its head aloft and scan through the three dimensional environment of the canopy.

A brown, pointed skull.
A Kambara skull at the Melbourne Museum. Melbourne Museum

Reading eggshells

The new study, however, takes a look at one of the oldest genera of Mekosuchines, Kambara. It grew up to two metres long and is thought to have fed on fish and softshell turtles.

At Murgon, University of New South Wales researchers led by Henk Godthelp and Michael Archer uncovered fragments of eggshell, a comparatively rare find. Surprisingly little work has been done in the area of analysing crocodile eggshells.

Xavier Panadès I Blas from the Institut Català de Paleontologia at the University of Barcelona took up the challenge to explore the shell’s preserved microstructure with high-resolution microscopy.

What he found was intriguing. The eggshells of Kambara have their own unique micro-structural features, still preserved after 55 million years.

These features differ from what we know of the microstructures that have evolved among modern crocodiles and alligators. However, it will take a lot more work to put things formally into context.

Still, these eggshells may provide a valuable new avenue for understanding how mekosuchines fit into the big picture of evolution that spans Australia, Asia, Africa and the Americas.

A microscopic image of a material with small holes.
One of the new eggshell fragments under high focus microscopy. Xavier Panadès I Blas.

A window into an ancient ecosystem

Beyond evolution, these eggshells are an insight into the environment that existed at Murgon 55 million years ago. Crocodile reproduction is intimately tied to their local environment and modern species display a complex mix of nesting strategies in response.

In the case of the eggshell of Kambara, there is little sign of degradation from bacteria.

This suggests the nest may have experienced periods of dryness due to the ephemeral nature of the surrounding wetlands at Murgon.

While mekosuchines enjoyed a much larger range of territories compared to our modern crocodiles, they eventually experienced a considerable contraction as the continent became increasingly arid.

Between this and the decline of large prey, mekosuchines eventually went extinct on the Australian continent.The Conversation

Michael David Stein, Research Associate, School of Biological, Earth & Environmental Sciences, UNSW Sydney

This article is republished from The Conversation under a Creative Commons license. Read the original article.

How the ‘one singular vision’ of Brian Eno’s Another Green World changed music

Estate Of Keith Morris/Redferns/Getty Images
Dean Biron, Queensland University of Technology

Now a suite of bespoke apartments, the 17th century chapel at 8 Basing Street, Notting Hill in London once housed a recording studio.

Following in the clomping footsteps of Led Zeppelin and Black Sabbath, in the northern summer of 1975, ex-Roxy Music member Brian Eno booked the premises at a daily rate of several hundred pounds to record his third solo album.

Eno came to Basing Street with a very sketchy plan. Essentially, the plan was to not have a plan. At first this approach became an ordeal of crooked paths, blind alleys and generalised straw-grasping.

Three months later he emerged with Another Green World, one of the most sublime and influential records ever made.

A transmission from another galaxy

Eno’s first two post-Roxy Music solo albums – 1973’s Here Come the Warm Jets and 1974’s Taking Tiger Mountain (By Strategy) – hinted that he was primed to cut ties with conventional rock methods and sounds.

Even more telling was his 1973 collaboration with Robert Fripp (at the time cast adrift from his own monolithic prog rock outfit, King Crimson). Their album No Pussyfooting featured extraordinary “mirrored room” cover art and two elongated, gently quavering tracks evocative of American minimalist composer Terry Riley.

Even with these omens, Another Green World arrived like a transmission from another galaxy. It seamlessly merged five (sort-of) conventional rock songs with nine highly-distinctive instrumental fragments.

There had never been anything like Fripp’s coruscating “Wimshurst guitar” solo on the typically atypical Eno song, St. Elmo’s Fire. There had never been anything to resemble the sumptuous, stately drift of The Big Ship (used to great effect in the 2015 film Me and Earl and the Dying Girl).

No ostensible rock artist had ever come up with something like the title track, a snippet of tranquillity that became widely recognised as the title theme to the BBC’s Arena documentary series.

Just as unheralded was the sampling of the distant lilt of children’s voices in a playground, as featured on Zawinul/Lava.

A plethora of influences

Much has been made of Eno’s use of “oblique strategies” cards when making Another Green World. Developed with his artist friend Peter Schmidt, the card system works to encourage lateral thinking and overcome cerebral impasses.

But while this proved valuable in dealing with heat-of-the-moment tangles in the studio, there are more crucial contexts in terms of the music’s provenance.

First is the mindboggling range of influences impinging upon Eno around that time. Steve Reich’s manipulated sound collages, African American doo-wop and gospel music, German bands Can and Cluster, Afrobeat pioneer Fela Kuti, Japanese composer Tōru Takemitsu, the Velvet Underground, Sly and the Family Stone, Mondrian’s paintings, cybernetics, avant-garde cinema …

The list is virtually endless.

Eno in a recording studio with various drums and drum kit
Brian Eno in the recording studio at Earls Court, London, 1975. Erica Echenberg/Redferns via Getty Images

This broad palette fed into the incredible variety of projects Eno was involved with around that time. He had recently established the Obscure Records label, which introduced composers such as Gavin Bryars, Jan Steele and Michael Nyman to wider audiences. He was also on the cusp of what would be momentous liaisons with David Bowie and Talking Heads.

Then there was Eno’s own Obscure release Discreet Music, which came mere weeks after Another Green World and more or less invented the ambient genre. Arriving in the same absurdly fecund final months of 1975 was the Fripp/Eno album Evening Star (featuring An Index of Metals, a sinister epic which anticipated the rise of the noise and dark ambient categories by a decade).

‘One singular vision’

A further key to Another Green World can be found in its creator’s claimed role as a “non-musician”. Just as punk was emerging as a scruffy, do-it-yourself antidote to bloated classic rock, Eno was revelling in his own self-taught status and upending the inevitable career trajectory foisted upon rock and pop stars.

With no interest in fronting a band or being in the spotlight on stage, by 1975 Eno had begun to see making music as analogous to painting. Another Green World reflects this philosophy. Unlike almost all other rock albums from the period, it is a meticulously constructed collection of studio “atmospheres” that could never be duplicated in a live setting.

With reference to Eno’s oeuvre, critic William Doyle says

Another Green World brings together the strands of Eno’s work that came before it while simultaneously laying the groundwork for everything that he created afterwards, in one singular vision.

Music writer Geeta Dayal takes this even further: she argues that listening to the album, one sees “the pathways of all the electronic music that came before or after it, travelling through that record like so many streams”.

Another Green World finds Brian Eno hovering at the intersection of left-field rock and ambient tranquility. It is a masterpiece of tact, introversion and serenity that has only become more relevant in a 2025 world inundated with ostentation, hubris and bluster.The Conversation

Dean Biron, Teaches in School of Justice, Queensland University of Technology

This article is republished from The Conversation under a Creative Commons license. Read the original article.

The world at your finger tips: Online

With current advice to stay at home and self-isolate, when you come in out of the garden, have had your fill of watching movies and want to explore something new, there's a whole world of books you can download, films you can watch and art galleries you can stroll through - all from at home and via the internet. This week a few suggestions of some of the resources available for you to explore and enjoy. For those who have a passion for Art - this month's Artist of the Month is the Online Australian Art Galleries and State Libraries where you can see great works of art from all over the world  and here - both older works and contemporary works.

Also remember the Project Gutenberg Australia - link here- has heaps of great books, not just focused on Australian subjects but fiction works by popular authors as well. Well worth a look at.

Short Stories for Teenagers you can read for free online

StoryStar is an online resource where you can access and read short stories for teenagers

About

Storystar is a totally FREE short stories site featuring some of the best short stories online, written by/for kids, teens, and adults of all ages around the world, where short story writers are the stars, and everyone is free to shine! Storystar is dedicated to providing a free place where everyone can share their stories. Stories can entertain us, enlighten us, and change us. Our lives are full of stories; stories of joy and sorrow, triumph and tragedy, success and failure. The stories of our lives matter. Share them. Sharing stories with each other can bring us closer together and help us get to know one another better. Please invite your friends and family to visit Storystar to read, rate and share all the short stories that have been published here, and to tell their stories too.

StoryStar headquarters are located on the central Oregon coast.

NFSA - National Film and Sound Archive of Australia

The doors may be temporarily closed but when it comes to the NFSA, we are always open online. We have content for Kids, Animal Lovers, Music fans, Film buffs & lots more.

You can explore what’s available online at the NFSA, see more in the link below.

https://bit.ly/2U8ORjH


NLA Ebooks - Free To Download

The National Library of Australia provides access to thousands of ebooks through its website, catalogue and eResources service. These include our own publications and digitised historical books from our collections as well as subscriptions to collections such as Chinese eResources, Early English Books Online and Ebsco ebooks.

What are ebooks?
Ebooks are books published in an electronic format. They can be read by using a personal computer or an ebook reader.

This guide will help you find and view different types of ebooks in the National Library collections.

Peruse the NLA's online ebooks, ready to download - HERE

The Internet Archive and Digital Library

The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge." It provides free public access to collections of digitised materials, including websites, software applications/games, music, movies, videos, moving images, and millions of public-domain books. There's lots of Australian materials amongst the millions of works on offer.

Visit:  https://archive.org/


Avalon Youth Hub: More Meditation Spots

Due to popular demand our meditation evenings have EXPANDED. Two sessions will now be run every Wednesday evening at the Hub. Both sessions will be facilitated by Merryn at Soul Safaris.

6-7pm - 12 - 15 year olds welcome
7-8pm - 16 - 25 year olds welcome

No experience needed. Learn and develop your mindfulness and practice meditation in a group setting.

For all enquires, message us via facebook or email help@avalonyouthhub.org.au

BIG THANKS The Burdekin Association for funding these sessions!

Green Team Beach Cleans 

Hosted by The Green Team
It has been estimated that we will have more plastic than fish in the ocean by 2050...These beach cleans are aimed at reducing the vast amounts of plastic from entering our oceans before they harm marine life. 

Anyone and everyone is welcome! If you would like to come along, please bring a bucket, gloves and hat. Kids of all ages are also welcome! 

We will meet in front of the surf club. 
Hope to see you there!

The Green Team is a Youth-run, volunteer-based environment initiative from Avalon, Sydney. Keeping our area green and clean.

 The Project Gutenberg Library of Australiana

Australian writers, works about Australia and works which may be of interest to Australians.This Australiana page boasts many ebooks by Australian writers, or books about Australia. There is a diverse range; from the journals of the land and sea explorers; to the early accounts of white settlement in Australia; to the fiction of 'Banjo' Paterson, Henry Lawson and many other Australian writers.

The list of titles form part of the huge collection of ebooks freely downloadable from Project Gutenberg Australia. Follow the links to read more about the authors and titles and to read and/or download the ebooks. 

Profile: Ingleside Riders Group

Ingleside Riders Group Inc. (IRG) is a not for profit incorporated association and is run solely by volunteers. It was formed in 2003 and provides a facility known as “Ingleside Equestrian Park” which is approximately 9 acres of land between Wattle St and McLean St, Ingleside. IRG has a licence agreement with the Minister of Education to use this land. This facility is very valuable as it is the only designated area solely for equestrian use in the Pittwater District.  IRG promotes equal rights and the respect of one another and our list of rules that all members must sign reflect this.

Cyberbullying

Research shows that one in five Australian children aged 8 to 17 has been the target of cyberbullying in the past year. The Office of the Children’s eSafety Commissioner can help you make a complaint, find someone to talk to and provide advice and strategies for dealing with these issues.

Make a Complaint 

The Enhancing Online Safety for Children Act 2015 gives the power to provide assistance in relation to serious cyberbullying material. That is, material that is directed at a particular child with the intention to seriously embarrass, harass, threaten or humiliate.

IMPORTANT INFORMATION 

Before you make a complaint you need to have:

  • copies of the cyberbullying material to upload (eg screenshots or photos)
  • reported the material to the social media service (if possible) at least 48 hours ago
  • at hand as much information as possible about where the material is located
  • 15-20 minutes to complete the form

Visit: esafety.gov.au/complaints-and-reporting/cyberbullying

Our mission

The Office of the Children’s eSafety Commissioner is Australia's leader in online safety. The Office is committed to helping young people have safe, positive experiences online and encouraging behavioural change, where a generation of Australian children act responsibly online—just as they would offline.

We provide online safety education for Australian children and young people, a complaints service for young Australians who experience serious cyberbullying, and address illegal online content through the Online Content Scheme.

Our goal is to empower all Australians to explore the online world—safely.

Visit: esafety.gov.au/about-the-office 

The Green Team

Profile
This Youth-run, volunteer-based environment initiative has been attracting high praise from the founders of Living Ocean as much as other local environment groups recently. 
Creating Beach Cleans events, starting their own, sustainability days - ‘action speaks louder than words’ ethos is at the core of this group. 

National Training Complaints Hotline – 13 38 73

The National Training Complaints Hotline is accessible on 13 38 73 (Monday to Friday from 8am to 6pm nationally) or via email at skilling@education.gov.au.

Sync Your Breathing with this - to help you Relax

Send In Your Stuff

Pittwater Online News is not only For and About you, it is also BY you.  
We will not publish swearing or the gossip about others. BUT: If you have a poem, story or something you want to see addressed, let us know or send to: pittwateronlinenews@live.com.au

All Are Welcome, All Belong!

Youth Source: Northern Sydney Region

A directory of services and resources relevant to young people and those who work, play and live alongside them.

The YouthSource directory has listings from the following types of service providers: Aboriginal, Accommodation, Alcohol & Other Drugs, Community Service, Counselling, Disability, Education & Training, Emergency Information, Employment, Financial, Gambling,  General Health & Wellbeing, Government Agency, Hospital & GP, Legal & Justice, Library, Mental Health, Multicultural, Nutrition & Eating Disorders, Parenting, Relationships, Sexual Health, University, Youth Centre

Driver Knowledge Test (DKT) Practice run Online

Did you know you can do a practice run of the DKT online on the RMS site? - check out the base of this page, and the rest on the webpage, it's loaded with information for you!

The DKT Practice test is designed to help you become familiar with the test, and decide if you’re ready to attempt the test for real.  Experienced drivers can also take the practice test to check their knowledge of the road rules. Unlike the real test, the practice DKT allows you to finish all 45 questions, regardless of how many you get wrong. At the end of the practice test, you’ll be advised whether you passed or failed.

Fined Out: Practical guide for people having problems with fines

Legal Aid NSW has just published an updated version of its 'Fined Out' booklet, produced in collaboration with Inner City Legal Centre and Redfern Legal Centre.

Fined Out is a practical guide to the NSW fines system. It provides information about how to deal with fines and contact information for services that can help people with their fines.

A fine is a financial penalty for breaking the law. The Fines Act 1996 (NSW) and Regulations sets out the rules about fines.

The 5th edition of 'Fined Out' includes information on the different types of fines and chapters on the various options to deal with fines at different stages of the fine lifecycle, including court options and pathways to seek a review, a 50% reduction, a write-off, plan, or a Work and Development Order (WDO).

The resource features links to self-help legal tools for people with NSW fines, traffic offence fines and court attendance notices (CANs) and also explains the role of Revenue NSW in administering and enforcing fines.

Other sections of the booklet include information specific to Aboriginal and Torres Strait Islander people, young people and driving offences, as well as a series of template letters to assist people to self-advocate.

Hard copies will soon be available to be ordered online through the Publications tab on the Legal Aid NSW website.

Hard copies will also be made available in all public and prison libraries throughout NSW.

Read the resource online, or download the PDF.

Apprenticeships and traineeships info

Are you going to leave school this year?
Looking for an apprenticeship or traineeship to get you started?
This website, Training Services NSW, has stacks of info for you;

It lists the group training organisations (GTOs) that are currently registered in NSW under the Apprenticeship and Traineeship Act 2001. These GTOs have been audited by independent auditors and are compliant with the National Standards for Group Training Organisations.

If you are interested in using the services of a registered GTO, please contact any of the organisations listed here: https://www.training.nsw.gov.au/gto/contacts.html

There are also some great websites, like 1300apprentice, which list what kind of apprenticeships and traineeships they can guide you to securing as well as listing work available right now.

Profile Bayview Yacht Racing Association (BYRA)
1842 Pittwater Rd, Bayview
Website: www.byra.org.au

BYRA has a passion for sharing the great waters of Pittwater and a love of sailing with everyone aged 8 to 80 or over!

 headspace Brookvale

headspace Brookvale provides services to young people aged 12-25. If you are a young person looking for health advice, support and/or information,headspace Brookvale can help you with:

• Mental health • Physical/sexual health • Alcohol and other drug services • Education and employment services

If you ever feel that you are:

• Alone and confused • Down, depressed or anxious • Worried about your use of alcohol and/or other drugs • Not coping at home, school or work • Being bullied, hurt or harassed • Wanting to hurt yourself • Concerned about your sexual health • Struggling with housing or accommodation • Having relationship problems • Finding it hard to get a job

Or if you just need someone to talk to… headspace Brookvale can help! The best part is our service is free, confidential and youth friendly.

headspace Brookvale is open from Monday to Friday 9:00am-5:30pm so if you want to talk or make an appointment give us a call on (02) 9937 6500. If you're not feeling up to contacting us yourself, feel free to ask your family, friend, teacher, doctor or someone close to you to make a referral on your behalf.

When you first come to headspace Brookvale you will be greeted by one of our friendly staff. You will then talk with a member of our headspace Brookvale Youth Access Team. The headspace Brookvale Youth Access Team consists of three workers, who will work with you around whatever problems you are facing. Depending on what's happening for you, you may meet with your Youth Access Worker a number of times or you may be referred on to a more appropriate service provider.

A number of service providers are operating out of headspace Brookvale including Psychologists, Drug & Alcohol Workers, Sexual Health Workers, Employment Services and more! If we can't find a service operating withinheadspace Brookvale that best suits you, the Youth Access Team can also refer you to other services in the Sydney area.

eheadspace provides online and telephone support for young people aged 12-25. It is a confidential, free, secure space where you can chat, email or talk on the phone to qualified youth mental health professionals.

Click here to go to eheadspace

For urgent mental health assistance or if you are in a crisis please call the Northern Sydney 24 hour Mental Health Access Line on 1800 011 511

Need Help Right NOW??

kids help line: 1800 55 1800 - www.kidshelpline.com.au

lifeline australia - 13 11 14 - www.lifeline.org.au

headspace Brookvale is located at Level 2 Brookvale House, 1A Cross Street Brookvale NSW 2100 (Old Medical Centre at Warringah Mall). We are nearby Brookvale Westfield's bus stop on Pittwater road, and have plenty of parking under the building opposite Bunnings. More at: www.headspace.org.au/headspace-centres/headspace-brookvale

Profile: Avalon Soccer Club
Avalon Soccer Club is an amateur club situated at the northern end of Sydney’s Northern Beaches. As a club we pride ourselves on our friendly, family club environment. The club is comprised of over a thousand players aged from 5 to 70 who enjoy playing the beautiful game at a variety of levels and is entirely run by a group of dedicated volunteers. 
Profile: Pittwater Baseball Club

Their Mission: Share a community spirit through the joy of our children engaging in baseball.

Year 13

Year13 is an online resource for post school options that specialises in providing information and services on Apprenticeships, Gap Year Programs, Job Vacancies, Studying, Money Advice, Internships and the fun of life after school. Partnering with leading companies across Australia Year13 helps facilitate positive choices for young Australians when finishing school.

NCYLC is a community legal centre dedicated to providing advice to children and young people. NCYLC has developed a Cyber Project called Lawmail, which allows young people to easily access free legal advice from anywhere in Australia, at any time.

NCYLC was set up to ensure children’s rights are not marginalised or ignored. NCYLC helps children across Australia with their problems, including abuse and neglect. The AGD, UNSW, KWM, Telstra and ASIC collaborate by providing financial, in-kind and/or pro bono volunteer resources to NCYLC to operate Lawmail and/or Lawstuff.

Kids Helpline

If you’re aged 5-25 the Kids Helpline provides free and confidential online and phone counselling 24 hours a day, seven days a week on 1800 55 1800. You can chat with us about anything… What’s going on at home, stuff with friends. Something at school or feeling sad, angry or worried. You don’t have to tell us your name if you don’t want to.

You can Webchat, email or phone. Always remember - Everyone deserves to be safe and happy. You’re important and we are here to help you. Visit: https://kidshelpline.com.au/kids/