MCA Australia announces artist line-up for its major summer exhibition Data Dreams: Art and AI
Museum of Contemporary Art Australia
Tallawoladah, Gadigal Country
140 George Street, The Rocks, Sydney
Opening on 21 November 2025, this ground-breaking exhibition is the first of its kind to be staged by an Australian institution, bringing together ten visionary artists from around the world to explore the profound impact of artificial intelligence on contemporary life and creative practice.
Through immersive installations, AI-generated films, hallucinatory images and mind-expanding sculptures, Data Dreams invites audiences to experience the possible futures in art and reflect on the evolving relationship between human and machine intelligence.
Artworks in the exhibition highlight AI's role as an artistic collaborator, its impact on reality and perception, its role in shaping human relationships, and its potential to redefine our understanding of intelligence and perhaps even life itself.
Data Dreams presents projects by contemporary artists working at the forefront of art and AI including:
- Angie Abdilla (palawa, lutruwita/Tasmania, Australia): Indigenous knowledge systems are brought into dialogue with Western astrophysics in Abdilla’s Meditation on Country (2024), combining scientific and cultural datasets.
- Fabien Giraud (France): MCA Australia presents the world premiere of The Feral – Epoch 1 (2025), a thousand-year-long film fully shot and edited by an artificial intelligence, involving 32 generations of humans in a dramatic landscape in central France.
- Kate Crawford & Vladan Joler (Australia/Serbia): Anatomy of an AI System (2018) is a visual investigation into the real-world infrastructure and raw materials required to fabricate, power and dispose of ‘smart’ AI devices, mapping the profound implications of these new technologies for humanity and the planet.
- Lynn Hershman Leeson (USA): Logic Paralyzes the Heart (2021) and Cyborgian Rhapsody: Immortality (2023) from Leeson’s acclaimed Cyborg film series (1994–2023) trace the radical ways that AI and other technologies are reshaping our lives, societies and the environment. As a foundational innovator in the field, Leeson has been exploring the relationship between technology and humanity since the 1960s.
- Agnieszka Kurant (Poland): In Kurant’s sculptural work Chemical Garden (2021/2025), plant-like crystals grow in an aquarium from the same metal salts found in computers and deep-sea vents. In Conversions (2019 –ongoing) a liquid crystal painting morphs in response to emotional data collected from millions of social media accounts using a custom AI system.
- Trevor Paglen (USA): In Paglen’s photographic series Adversarially Evolved Hallucinations (2017– ongoing), uncanny AI-powered images invite us to look inside the strange world of datasets and neural networks, probing the limits of machine perception.
- Christopher Kulendran Thomas (UK): The Finesse (2022) is a monumental video installation which transports audiences into a simulated forest melding pop culture and political science. Combining archival footage with AI-generated avatars – it questions the role AI technologies play in a world where real and fake messages are indistinguishable. Kulendran Thomas invites us to discern the truth for ourselves.
- Hito Steyerl (Germany): An expansive new installation blending documentary footage, AI-generated imagery, and sculptures of digital forms by acclaimed artist Hito Steyerl, Mechanical Kurds (2025) examines the sinister worlds of AI-led warfare and surveillance, and the hidden human labour behind these powerful systems.
- Anicka Yi (South Korea): Anicka Yi looks to possibilities for intelligence and collaboration beyond human and organic life in Radiolaria (2023–25), a series of luminous suspended sculptures that undulate like deep-sea creatures. Each Branch Of Coral Holds Up The Light of The Moon (2024) is a 3D animation generated using custom AI software designed to carry on her art practice after her death.
Curated by MCA Australia's Jane Devery (Senior Curator, Exhibitions), Anna Davis (Curator), and Tim Riley Walsh (Assistant Curator), Data Dreams transforms the MCA’s galleries into a series of experiential spaces that invite visitors to engage with the possibilities and provocations at the intersection of art and AI.
Suzanne Cotter, Director of the Museum of Contemporary Art Australia said: "Data Dreams: Art and AI is a landmark exhibition that reflects the Museum’s commitment to presenting bold, forward-thinking contemporary art. It offers everyone who visits the exhibition a unique opportunity to consider how artists are responding to one of the most transformative technologies of our time."
The exhibition will be accompanied by a dynamic public program including talks, workshops, and performances, to be announced closer to the opening.
MCA Australia thanks Strategic Sponsor Destination NSW for its support. The Sydney International Art Series, established in 2010, brings the world’s most outstanding exhibitions exclusively to Sydney through a partnership between Destination NSW, MCA Australia, and the Art Gallery of New South Wales.
Tickets to the exhibition are available to purchase from mca.com.au. The exhibition is free for MCA members and people aged 18 and under.
Data Dreams: Art and AI opens at the Museum of Contemporary Art Australia on 21 November 2025 and is on until 26 April 2026.
Ancient Feelings - until April 2026
While you're at the MCA you will see Ancient Feelings, 2025, a major new public artwork by acclaimed British artist Thomas J Price.
This striking large-scale sculpture marks the launch of the inaugural Neil Balnaves Tallawoladah Lawn Commission, the first in a three-year series of public works to be featured in front of MCA Australia on the Tallawoladah Lawn, overlooking Warrane/Sydney Harbour. It is a spectacular addition to the cultural landscape of Circular Quay and The Rocks precinct for locals and visitors alike.
This independently funded sculpture is the result of a visionary gift from The Balnaves Foundation on behalf of the family in honour of founder, husband and father, Neil Balnaves AO.
2025 marks a landmark year for Price as a contemporary living artist, with his work unveiled in some of the world’s most iconic public spaces – including Grounded in the Stars in New York’s Times Square and Time Unfolding in Florence’s historic Piazza della Signoria. Ancient Feelings marks the artist’s first public artwork in Australia, bringing Price’s distinctive approach to Sydney, by the world’s most recognisable harbour.
Measuring over three metres tall and cast in a golden bronze, Ancient Feelings is a commanding presence. Price’s work invites reflection on identity, visibility and shared humanity. It challenges the history of public monuments and encourages people to reflect on our own ideas of beauty and commemoration.
Mr. Price uses the traditional material of bronze in his sculptures to challenge the structures of power and representation embedded in classical sculpture. His work deliberately engages with the symbolic weight of bronze, a material historically associated with permanence, authority and commemoration.
'Ancient Feelings raises questions about who gets to be seen and who gets to be valued,' said Thomas J Price.
'This glowing bronze sculpture can help illuminate the real issues that still exist around a lack of willingness to acknowledge history, a resistance to accepting people’s accounts of themselves and their lives, and the realness of our shared humanity.
To have a fictional representation of a black woman, beaming in this golden bronze at a scale that is only associated with power, praise and high standing, I think it will be an absolute joy for many people. For others it may provoke discomfort, and that tension is precisely where the work finds its strength.' he said
Thomas J Price with his work, Ancient Feelings, 2025, installation view, MCA Australia, bronze, commissioned by the Museum of Contemporary Art Australia for the Neil Balnaves Tallawoladah Lawn Commission, 2025, courtesy the artist and MCA Australia © the artist, photograph: Anna Kucera and MCA
For MCA Australia, the commission extends contemporary art and ideas into the public realm and provides an exciting opportunity to renew interest in and spark conversation about the role of public monuments.
'Public art is unique in its ability to create dialogue,' said MCA Australia Director, Suzanne Cotter. ‘Everyone has an opinion about the art they might experience in public spaces. And in an era where the role of the monument has never been more hotly debated, The Neil Balnaves Commission offers propositions and time for reflection from living artists who are engaged with our contemporary world.'
Thomas J Price, Ancient Feelings, 2025, installation view, MCA Australia, bronze, commissioned by the Museum of Contemporary Art Australia for the Neil Balnaves Tallawoladah Lawn Commission, 2025, courtesy the artist and MCA Australia © the artist, photograph: Anna Kucera
The Neil Balnaves Tallawoladah Lawn Commission
The Neil Balnaves Tallawoladah Lawn Commission is a new annual initiative made possible by The Balnaves Foundation, honouring the legacy of philanthropist Neil Balnaves AO (1944–2022). This three-year series aims to bring world-class contemporary sculpture to the public – free and accessible to all – in a place of deep cultural and historical significance.
'This commission is a bold and generous addition to the MCA program thanks to The Balnaves Foundation that honours the legacy of Neil Balnaves AO,' said Suzanne Cotter, Director of MCA Australia. 'It demonstrates the transformative power of philanthropy in enabling us to experience ambitious art in our daily lives.'
'My father strongly believed in the power of art to enrich lives,' said Hamish Balnaves, CEO of The Balnaves Foundation. 'He was particularly passionate about bold public sculpture and its ability to challenge perspectives and ignite conversation.'
The power of philanthropy
The Balnaves Foundation’s generous donation demonstrates the transformative power of philanthropy, making art accessible to people as part of their daily lives, further encouraging governments to put forward additional support.
'Neil advocated for both the philanthropic community and the government to fund the arts and cultural sector in Australia. The Foundation is continuing his legacy by supporting the arts and ensuring access to art for all, with the hope that others may be inspired to give,” Hamish Balnaves added.
'We are deeply indebted to the Balnaves family and The Balnaves Foundation for their support and for choosing this Commission Series to honour Neil Balnaves – one of Australia’s most respected arts philanthropists,' said Suzanne Cotter. 'Together the MCA Australia and The Balnaves Foundation are expanding access to the best international contemporary art for millions of people. This Commission is a fitting tribute to Neil’s vision and passion for bold, thought-provoking art that is accessible to everyone.'
Public program
Accompanying the inaugural Lawn Commission, MCA Australia will present an engaging public program of talks, workshops and walking tours which connects people of all ages and backgrounds with themes and ideas inspired by the work Ancient Feelings and the Commission Series. This includes:
- A series of talks highlighting the importance of public art and redefining of monuments over the last decades
- Public art walking tours in neighbouring streets and spaces
- Kids and Families programs on Tallawoladah Lawn and within the Museum
Thomas J Price’s Ancient Feelings will remain on display through to April 2026, offering millions of visitors the opportunity to engage with contemporary art in a dynamic and meaningful way outside of the Museum.
About the artist – Thomas J Price
Thomas J Price has become renowned for his powerful and poetic artworks that confront deeply entrenched notions of race and power. Price's large-scale sculptures of everyday, imagined people invite us to consider who is typically remembered and represented in public space.
Born in 1981, Price lives and works in London. He studied at Chelsea College of Art and the Royal College of Art, London and has held solo exhibitions at institutions including The Power Plant, Toronto, Canada; The National Portrait Gallery, London; the Yorkshire Sculpture Park, West Bretton, UK; the Victoria and Albert Museum, London; Kunsthalle Krems, Austria; and Kunsthal Rotterdam. Price’s work is held in collections such as the Art Gallery of Ontario, Canada; Brooklyn Museum, New York; National Gallery of Victoria; Studio Museum in Harlem, New York; and The Legacy Museum, Montgomery, AL.
Price was commissioned by Hackney Council to create the first permanent public sculptures to celebrate the contribution of the Windrush generation and their descendants in the UK, unveiled in June 2022. His solo presentation in collaboration with The Studio Museum in Harlem was on view in Marcus Garvey Park from 2021 to 2022.
In 2025 Price opened a multi-venue exhibition in Florence across Piazza della Signoria, Palazzo Vecchio and Museo Novecento, and unveiled the monumental work Grounded in the Stars in New York’s Times Square. In 2026 the artist will present a new public commission for the V&A East Museum as part of the newly established East Bank campus at Olympic Park, London.
About Neil Balnaves AO 1944 – 2022
In 2006 Neil Balnaves AO founded The Balnaves Foundation. Already an established philanthropist, Neil wanted to create a pathway for intergenerational giving, bringing his family together to help create a better Australia through the arts, education and medicine.
Prior to establishing the Foundation, Neil had a long and successful career in the media industry, including founding the Southern Star Group in 1988. As a film and TV executive, Neil was proud to have been involved in bringing many popular shows to Australian screens, including Water Rats, Blue Heelers, Big Brother, The Secret Life of Us, McLeod’s Daughters and Bananas in Pyjamas.
Neil was the Chairman of Ardent Leisure Group, one of Australia’s most successful owners and operators of premium leisure assets, from 2003 until 2016. Other former directorships include Hanna-Barbera Australia, Reed Consolidated Industries, Hamlyn Group, Taft Hardie, Southern Star Group and Southern Cross Broadcasting.
He was the Chancellor of Charles Darwin University, and a former Director and Trustee Member of Bond University, receiving an Honorary Doctorate of the Bond University in 2009. In addition, Neil was a Board Member of the Art Gallery of South Australia from 2013 to 2019, was a former member of the Advisory Council and Dean’s Circle at the University of New South Wales Faculty of Medicine, and in 2010 received an Honorary Doctorate of the University of New South Wales.
Neil was immensely proud to be appointed an Officer of the Order of Australia in 2010, for his services to the community through philanthropic support for the arts, education, medical research and Indigenous programs, and to business. Neil sadly passed away in February 2022 and is greatly missed by his family who honour his legacy, ensuring Neil’s vision for the Foundation, to create a better Australia, will continue.
About The Balnaves Foundation
The Balnaves Foundation is a private philanthropic organisation established in 2006 by Neil Balnaves AO. The Foundation disperses $5 million annually to eligible organisations that aim to create a better Australia through education, medicine and the arts with a focus on young people, the disadvantaged and Indigenous Australia.
Thomas J Price, Ancient Feelings, 2025, installation view, MCA Australia, bronze, commissioned by the Museum of Contemporary Art Australia for the Neil Balnaves Tallawoladah Lawn Commission, 2025, courtesy the artist and MCA Australia © the artist, photograph: Anna Kucera